Beginning Monday, April 23, access to Crerar Library’s Lower Level Bookstacks will be temporarily closed due to construction activity. Until the area reopens, Crerar staff will page any materials needed from the stacks. To request a book, use the “Can’t Find It” link on the Catalog page. Library staff will pull requested items the same weekday or by the morning of the next weekday.
You can also visit the Crerar Circulation desk for help during our normal hours, or contact circulation online with any questions.
Cover, The Anzac Book. 1916. Special Collections Research Center, The University of Chicago Library.
Exhibition Dates: April 30 – August 31, 2018 Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL
It seems an understatement to note that war is traumatic to those who experience it in any way, shape or form. The pieces in this exhibition reflect their creators’ experiences in wars from the 16th century through the present day. Each was published or made public by their creators; by that action the creator invites us into the captured moment. We see, not a moment of trauma itself but a time after that moment, whether that be seconds or years. In this exhibition, the trauma of war is represented by that very absence of trauma, through the experience creators share with viewers, listeners or readers.
Here, photographs by soldiers or journalists at the scene share space with expressions of the effect of war created at a greater remove. Events are recounted at a personal, intimate level as in portraits of families or on a grand scale: the destruction of Dresden. Over time, images retain their power but may no longer serve the purpose for which they were made. For example, some of the items were created to be propaganda and here are displayed as art or as a curiosity. At times an overt intent of the creator or bias of the image is evident, and at others we need to remind ourselves that creators may have emotions hidden even from themselves. With images of war, in particular, the observer’s relationships to the conflict will affect the ways in which the object is understood. How many recall the stakes of the 30 Years War?
Jean Louis Forain. Le Poilu psychologue, . Special Collections Research Center, The University of Chicago Library.
Anchoring the exhibition is Francisco Goya’s Los desastres de la guerra, a book of prints etched in the early 19th century, left unpublished until 1863 for fear of censorship. The suite of plates Goya created in response to suffering he witnessed during the Napoleonic wars is considered to contain the first eyewitness images of war reporting. The book is opened to Plate 44 “Yo lo vi” (I saw it).
Indeed “Yo lo vi”: the images, sculpture, poetry, and music here are haunted by the very absence of violence and the persistence of memory.
Hours: Mondays through Fridays, 9 a.m. – 4:45 p.m., and, when University of Chicago classes are in session, Tuesdays and Wednesdays, 9 a.m. – 5:45 p.m.
Free and open to the public.
Francisco Goya. Plate 44, “Yo lo vi,” Los desastres de la guerra, 1893. Special Collections Research Center, The University of Chicago Library.
Lecture by Françoise Meltzer
May 14, 5 p.m.
Regenstein Library, Room 122
Professor Françoise Meltzer will speak about the book she is currently completing on the ruins and bombing of civilians in Germany in 1945. Meltzer is the Edward Carson Waller Distinguished Service Professor in the Humanities, Professor in the Divinity School and the College, and Chair of Comparative Literature.
Use of Images and Media Contact
Images from the exhibition included on this page are available for download by members of the media and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.
Exhibit Location: The Joseph Regenstein Library, Third Floor
Dates: March 27 – June 9, 2018
Public reading: April 19, 5:30 p.m.
UndocuTime by Alejandro Monroy, 2017.
Come to read and see writing and art drawing on experiences of migration. This exhibit features the work of University of Chicago community members and of student writers and photographers including Urvi Khumbhat, Felipe Bomeny, Erik Mueller, and Gautama Mehta, together with that of faculty Vidura Bahadur, Laura Letinsky, Srikanth Reddy and Vu Tran. This wonderful work can be understood anew seeing it creatively set and reset among the beautiful and disturbing pages of artists’ books, including work by Zarina, Ana Mendieta, Paul Chan, Eva Fuková, Jacob Lawrence, Gerhard Richter, Mona Hatoum, and more.
Migration experiences may be full of disaster and hope, disorientation and transformation, and they generate stories, reflections, and images to be carried in turn. The Migration Stories Project, begun through the University of Chicago creative writing program, has recently produced an anthology with some thirty stories, poems, essays, and documentary photographs from a huge variety of places and people who now live near the University of Chicago. The anthology has taken its place in the Regenstein Library collection, and this installation celebrates the bravery and work of anthology contributors with the exhibition: book spines there burrowed.
Japanese Historical Map. Awaji Annai by Hanshichi Bando, Meiji 36 
In three glass cases, the work of Migration Stories contributors is drawn together with art books from the Library’s collection, creating an art installation of its own. Migration Stories: book spines there burrowed was curated by two University of Chicago students, Amber Collins and Lydia Mullin, who used for their title a line from contributor Jacqueline Feng’s poetry. In the curators’ vision, the exhibition is “told in three parts: mapping, making home, and photographing motion.” They write that “its seams are not pulled from any one contribution to the anthology, but are instead made from the words, phrases, and sentences of its texts or the hues and negative spaces of its photographs.” Come and contemplate art and writing that grow out of the human experience of migration, an experience that is a part of the history of every member of the University of Chicago community and of our larger neighborhood and community.
A special, free public reading by anthology contributors and University of Chicago creative writing faculty will be held at the Regenstein Library, Room 122 on Thursday, April 19th, at 5:30 pm.
If you spend any amount of time in the D’Angelo Law Library, chances are good that you have been greeted by a warm smile from one of our longest-tenured librarians–Lyonette “Lyo” Louis-Jacques. Scott Vanderlin took a moment to interview Lyo to find out about her life, career, and some of her fondest memories from her time here at UChicago.
Lyo at the Hockey Hall of Fame
How long have you been at the D’Angelo Law Library?
Since August 1992 (almost 25 years?!).
What is your subject specialty, and what activities consume most of your time as a law librarian?
I’m the specialist for civil/non-common law, comparative law, and international law questions. I also help with human rights and international relations research.
And, as a law librarian, I’m busiest helping with reference questions, which I love doing! Keep on asking me questions, y’all! 🙂
What are the biggest changes in the D’Angelo Law Library you’ve noticed over the years?
The biggest change is the space. I love how the reading room has these majestic stairs you can climb up to now. And every time I’m at the law library reference desk, I imagine the space being used to put on plays and musicals. Romeo and Juliet? (we have a balcony). Beauty and the Beast? (Belle comes down the stairs and then dances with the Beast).
In the time you’ve worked in the law library, what is the most memorable event you’ve attended?
I’ve been here a while, so a lot of memorable events! 🙂 But generally, the Law School musicals. I like seeing the students play faculty members! 🙂 Cracks me up. And most recently, the “Law School Attempts Talent” show. There was singing, dancing, instrument-playing. I think a spoken word poem? And lots of teasing and laughing. Loved it!
What are some of your interests outside of law libraries?
They’ve changed over time. I used to write crossword puzzles and collect romance and mystery novels, read a lot, and watch lots of sports (all of them, except fishing). Now I mostly read Twitter (y’all follow @jonnysun, @sheaserrno, and @lin_manuel – they are amazing!). And watch sports. I’ve enjoyed watching March Madness recently, even though my brackets for the men’s and women’s tournaments were all busted.
What’s the best thing you read, watched, or listened to recently?
The best thing because I’m a bit of a fanatic about it is Hamilton: The Musical. I have seen it on Broadway, Chicago, San Francisco, and London. It’s like following a band… 🙂 Looking at what city I want to go see it in next. And I’m getting into other musicals – so far, I’ve seen Rent and Wicked. I am hooked! And Dear Evan Hansen is coming to Chicago in 2019!
Poet and translator Rosa Alcalá will read new work and poems from her acclaimed third collection MyOTHER TONGUE (2017), which Stephanie Burt described in the New York Times as “pellucid, as well as laconic, and [it] might make you cry.” Alcalá is the author of three collections of poetry: Undocumentaries (2010), The Lust of Unsentimental Waters (2012), and MyOTHER TONGUE. Her chapbooks include Some Maritime Disasters This Century (2003) and Undocumentary (2008). A highly regarded translator, she has translated the poetry of Cecilia Vicuña, Lourdes Vázquez, and Lila Zemborain, among others. She earned her MFA from Brown University and PhD from SUNY-Buffalo, and she currently teaches in the department of creative writing and bilingual MFA program at the University of Texas, El Paso.
The reading is sponsored by the Joseph Regenstein Library and Chicago Review.
The Library is now offering an improved Interlibrary Loan service that provides a streamlined way for UChicago faculty, students, and staff to request materials from a wide range of other libraries.
Previously, Library users had to decide among several services to obtain needed material:
BorrowDirect for obtaining material from the Ivy Plus libraries;
UBorrow for obtaining material from the Big Ten Academic Alliance libraries;
Traditional Interlibrary Loan for material held in other libraries; or,
Recall for University of Chicago Library copies already on loan.
Click the “Request via Interlibrary Loan” link on the FindIt! page to use the streamlined service.
Now you will use a single Interlibrary Loan service that automatically gets you what you want in the best and fastest way. Big Ten and Ivy Plus partners will continue to provide expedited delivery in roughly 4-5 days. Items will usually be obtained from other libraries, but local copies will still be recalled if needed material is not rapidly available via interlibrary loan.
Click the “FindIt!” button in other resources such as WorldCat and Articles Plus, and then click the “Interlibrary Loan” link.
There is no need to search UBorrow and BorrowDirect individually anymore to make a request, as the improved Interlibrary Loan service will do that for you. However, the UBorrow and BorrowDirect search pages are still available from the Library’s home page if you want to use them.
“Kelp are habitat for hundreds—probably thousands of species: fishes, invertebrates, etcetera,” explained Cathy Pfister, Professor in University of Chicago’s Department of Ecology and Evolution. “They are a natural habitat, just like a coral reef, that is the only place where some animals survive.”
Concerns have been raised about downward trends in kelp’s abundance worldwide. Seeking more information about long-term changes in kelp abundance, Pfister discovered that the University of Chicago Library holds rare World War I-era maps showing the location of kelp forests in the Pacific Northwest. At her request, the Library’s Preservation staff digitized these maps, and Pfister and her collaborators compared the early 20th-century survey findings to aerial censuses of two canopy kelp species in Washington State waters from 1989 to 2015.
Surveying kelp beds in anticipation of World War I
The maps in the UChicago Library’s collection were made in anticipation of international conflict rather than global warming. In the early 1900s, the U.S. Department of Agriculture recognized a problem. The United States relied heavily on fertilizer to grow crops and support its burgeoning economy, yet a crucial ingredient for fertilizer — potash, a mixture of potassium and salts — was mined almost exclusively in Germany. German mines supplied nearly the entire world’s supply of potash, and at the time the U.S. used about a fifth of its output.
Seeking ways to ease this dependency—and possibly aware that potash is also an ingredient in gunpowder—the USDA commissioned several surveys of an alternative source of potash: kelp beds in the Pacific Northwest. The large, hardy seaweeds are a natural source of potassium, nitrogen, and salts, and kelp worldwide have been used historically as fertilizer. If kelp could be harvested and processed in large enough quantities, it could be a viable source of potash to offset German imports.
So, the USDA sent surveyors — including George Rigg, an ecologist from the University of Washington — to map the kelp beds along the coast of California, Oregon, Washington and Alaska. Rigg set out in a yacht with a 40-horsepower motor and mapped the Washington coastline in 1911-12.
One hundred and five years later, Pfister was made aware of the maps and was surprised to see a folio listed in the University of Chicago Library Catalog. With a few keystrokes, she had them retrieved by the robotic cranes in the Joe and Rika Mansueto Library’s automated storage and retrieval system. Delivered into her hands were large format maps bound inside 27 x 21-inch covers. Recognizing the value and fragility of the material, and wanting to use and archive digital copies of the maps for her analysis, Pfister contacted Preservation Librarian Sherry Byrne for help.
Conservation staff used Japanese paper to stabilize the brittle maps at the folds.
Conserving and digitizing the maps
The Library’s Preservation team was happy to digitize the extensive collection of maps from Alaska to California and had the expertise to do so without causing damage to the brittle, 100-year-old paper they were printed on. Especially large maps that had been folded to fit inside the book’s covers were starting to tear at the folds, so Library staff reinforced those sections of paper with Japanese tissue and wheat starch paste to keep the sections of the page from separating during handling. They then built a set-up to support the large volume while opening the folded maps for digitization. Photographer Michael Kenny and Head of Digitization Kathleen Arthur captured high-resolution images and posted PDFs that are now freely available to researchers worldwide through the Library Catalog.
“Library staff members with expertise in conservation and digitization are here to enable research that requires the digitization of print and other non-digital materials,” said Byrne. “We encourage faculty, students, and other researchers to contact us to discuss the possibility of digitizing materials in our collection.”
Professor Cathy Pfister points to a kelp map in the Library’s Digitization Laboratory. Image courtesy of The Forefront.
With digitized copies of the Library’s 1911-12 maps in hand and aerial censuses from the last 26 years, Pfister and colleagues at the Washington Department of Natural Resources were able to determine the persistence of kelp cover over the past century and compared kelp dynamics with likely environmental drivers such as local environmental variables and ocean indices for the region.
What they found is a relatively rare positive story when it comes to ecological studies in a time of accelerating climate change. The abundance of most modern kelp beds along the Washington coast has remained constant over the last century despite a seawater temperature increase of 0.72 degrees Celsius. The few exceptions are kelp beds closest to Puget Sound, Seattle and Tacoma.
“Kelp are a robust and resilient structure. You can see that in the data, as long as they have access to good water quality and waves flush through them, then they persist,” Pfister said.
Pfister and her team also studied the competition among kelp species in the area. While the kelp beds were persistent over the decades, their populations could fluctuate greatly from year to year. There are two dominant species — the annual bull kelp and the perennial giant kelp — and they fluctuated similarly, meaning that if one was abundant in a given year, so was the other. And good years, it turns out, are associated with colder seawater temperatures, an unfortunate preference for kelp as ocean temperatures continue to rise.
The Library and research on climate change and ecological history
“As ecologists, we’re realizing that libraries and museums have incredible archival information about how our ecosystems used to look before we really were recording it very well,” said Pfister. “So instances like this where there was an expedition that really quantified how much kelp was there are incredibly important in helping us to understand where we’ve been in these ecosystems and potentially where we’re going as the climate changes.”
The Library has a wide variety of materials that may be useful to scientists exploring ecological history, including reports, maps, and data on ecological communities and environments that have changed or disappeared due to urbanization, climate change, and other forces. One particularly well-known collection of 4500 American Environmental Photographs was created between 1891 and 1936 by UChicago faculty members and students and is fully digitized and available online. The Library’s extraordinary Map Collection is well described and discoverable in the Library Catalog, and additional maps can be found in books and other materials. For research assistance in this area, contact us at Ask a Science Librarian.
Posted onJanuary 9, 2018byAshley Gosselar at the Special Collection Research Center
The papers of anthropologist, linguist, and University of Chicago professor Norman A. McQuown are now available to researchers at the Special Collections Research Center. A new guide is also available for the records of the Department of Anthropology’s Chiapas Project, which McQuown was heavily involved in.
Norman McQuown was best known for his efforts to document and study indigenous languages in Mexico and Central America and for his work in the field of non-verbal communication. He studied, conducted field and archival research, taught, and wrote on a wide range of languages, including Huastec, Quiche Maya, Yucatec Maya, Nahuatl, Totonac, Turkish, Russian, and Esperanto. He published in English, Spanish, and German, was comfortable writing and conversing in a large number of additional languages, and wrote frequently on the process of language teaching and learning. His papers document his research, writing, teaching, and administrative work.
The Chiapas Project records document the University of Chicago Department of Anthropology’s research projects in the southern Mexican state of Chiapas from 1956-1964. The projects aimed to investigate the language, culture, environment, and history of local Maya communities. The records contain administrative and financial material, project reports, and photographs. The McQuown Papers contain a significant amount of additional material from the Chiapas Project.
Norman A. McQuown was born in Peoria, Illinois on January 30, 1914. He received his AB in 1935 and MA in 1936, both in German, from the University of Illinois. He earned his PhD in linguistics from Yale University in 1940, where he studied under Edward Sapir and Leonard Bloomfield and wrote his thesis on the Totonac language. From 1939-1942 he taught in Mexico and worked on a Turkish Language project for the American Council of Learned Societies. McQuown continued in this area during World War II, where he served as a Turkish specialist and editorial supervisor for the Language Section of the Army Service Forces.
After teaching briefly at Hunter College in New York City from 1945-1946, McQuown came to the University of Chicago in 1946 and remained there for the rest of his career, spending time as chair of both the anthropology and linguistics departments. Throughout his career, teaching and creating resources to help others learn remained important to him, and he edited, compiled, or translated a significant number of instructional texts for language learning.
McQuown was involved in a wide range of research activities. He made numerous trips to Mexico and Guatemala to conduct field work for the Man in Nature project, Chiapas project, and other work. He conducted archival research at libraries in Europe and the Americas and compiled catalogs of sources available on indigenous languages at various institutions. McQuown was also an early user of computers to document and study languages.
In addition to his work on indigenous languages, McQuown was a core contributor to TheNatural History of an Interview, a project in which he and colleagues conducted an in-depth microanalysis of a personal interview and related family interactions, covering both verbal and nonverbal communication. The manuscript was never published in English, but their work in the area of nonverbal communication was considered particularly groundbreaking.
McQuown was dedicated to preserving research and fieldwork, both his own and that of others. He did significant work to organize and provide access to the papers of Manuel Andrade, a professor of anthropology and linguist who passed away unexpectedly shortly before McQuown arrived at Chicago. McQuown was also the Founding Director of the University of Chicago’s Language Laboratory and Archives, now the Digital Media Archive, and established and made numerous contributions to what is now known as the Microfilm Collection of Manuscripts on Cultural Anthropology at the University of Chicago’s Regenstein Library.
Norman McQuown married Dolores Elrine Milleville on November 7, 1942. They had two daughters, Kathryn Ann and Patricia Ellen. Patricia predeceased him. Norman McQuown died in Chicago on September 7, 2005.