Exhibits Feature Story Censorship and Information Control

Censorship and Information Control: A Global History from the Inquisition to the Internet

The cover of the "Complete Unabridged" edition of George Orwell's "Nineteen Eighty-Four" with the title and author's name blacked out

In 2002 Penguin released this commemorative edition of “Nineteen Eighty-Four,” with the title and Orwell’s name blacked out as if censored, as a tribute to the book’s unique contributions to discourse about censorship. George Orwell. “Nineteen Eighty-Four.” New York: Penguin, 2002. On loan from Ada Palmer.

Exhibition Dates: September 17 – December 14, 2018
Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL
Associated website: voices.uchicago.edu/censorship

Why do people censor? For ambition? Religion? Profit? Power? Fear? This global history of attempts to control or silence information, from antiquity’s earliest written records to our new digital world, examines how censorship has worked, thrived, or failed in different times and places, and shows how real censorship movements tend to be very different from the centralized, methodical, top-down censorship depicted in Orwell’s 1984, which so dominates how we imagine censorship today. From indexes of forbidden books, to manuscripts with passages inked out by Church Inquisitors, to comics and pornography, to self-censorship and the subtle censorship of manipulating translations or teaching biased histories, the banned and challenged materials in this exhibit will challenge you to answer: how do you define what is and isn’t censorship?

Hours: Mondays through Fridays, 9 a.m. – 4:45 p.m., and, when University of Chicago classes are in session, Tuesdays and Wednesdays, 9 a.m. – 5:45 p.m.

Free and open to the public.

Curator

Ada Palmer, Associate Professor History, The University of Chicago

Ada Palmer is a historian and novelist, who works on transmission of radical ideas in hostile intellectual environments. She specializes in the Renaissance and Enlightenment, but also looks from antiquity to modernity for patterns in the ways societies respond to unwelcome ideas.  Her publications include work on Lucretius and atomism in the Renaissance, on revivals of Platonism, Pythagoreanism, stoicism, and heterodox ideas about the soul and afterlife, and censorship of comic books in Japan after World War II.  She is also the author of the science fiction series Terra Ignota, which imagines censorship’s evolution into the 25th century.

Related Events

A public dialogue series brings together scholars of print revolutions past and present with practitioners working on the frontiers of today’s information revolution.  Eight dialogues will unite historians, editors, novelists, poets, and activists, and will be filmed and shared online, to let the public enjoy and continue the discussions.

Sessions are open to the public, and will take place Fridays from 1:30 to 4:20 pm on the University of Chicago Campus, in Kent Room 107, on October 5, 12, 19, 26, November 2, 9, 16, and 30.

Visit voices.uchicago.edu/censorship/dialogueseries/ for more information.

 

Use of Images and Media Contact

Images from the exhibition included on this page are available for download to members of the media and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.

For more information, contact Rachel Rosenberg at ra-rosenberg@uchicago.edu or 773-834-1519.

People June Pachuta Farris, Bibliographer for Slavic and East European Studies, 1947-2018

June Pachuta Farris was valued and recognized by scholars and librarians throughout the world for her expertise as a bibliographer in Slavic and East European Studies and for the generosity she demonstrated throughout her decades of service to the profession.  She died on July 27 after a short illness at age 70.

June Pachuta Farris
(Photo by John Zich)

June served the University of Chicago for more than three decades, most recently holding the title of Bibliographer for Slavic and East European Studies and General Linguistics.  “We are deeply saddened by June’s passing,” said Brenda Johnson, Library Director and University Librarian at the University of Chicago.  “June was a dedicated librarian who built one of the finest Slavic and East European Studies collections in the world.  She was a wonderful colleague, both to us at Chicago and to the Slavic librarian community.”

In 2012, the Association for Women in Slavic Studies (AWSS), an affiliate of the Association for Slavic, East European & Eurasian Studies (ASEEES), recognized June with its Outstanding Achievement Award. “The entire profession has been enriched by June’s unassuming yet dedicated commitment to helping scholars wherever they work—whether formally, through her many published bibliographies on subjects as diverse as Dostoevsky and Czech and Slovak émigrés, or informally through her willingness to respond to countless queries from individuals,” the Association noted.  June was widely known for her quarterly and annual “Current Bibliography on Women and Gender in Russia and Eastern Europe,” which began appearing in the AWSS newsletter in 1999.  She also collaborated with Irina Livezeanu, Christine Worobec, and Mary Zirin, on a two-volume publication, Women and Gender in Central and Eastern Europe, Russia, and Eurasia: A Comprehensive Bibliography (2007), considered an invaluable resource in the field. Earlier this year, June learned that she is to be further recognized by the ASEEES at its December meeting as the 2018 recipient of the Distinguished Service Award from its Committee on Libraries and Information Resources.

June earned a BA in Russian and French from Case Western Reserve University; an MA in Russian Language and Literature from Ohio State University, writing a thesis on “The Concepts of Metaphysical Rebellion and Freedom in Dostoevsky and Camus,” and an MA in Library Science from University of Denver.  She served as Slavic Reference Librarian and Assistant Professor of Library Administration at the University of Illinois, before coming to Chicago in 1986.

June spoke French, Russian, and Czech fluently and was conversant with most Slavic languages as well as Greek.  She also had a great love of musical theater and had memorized all the lyrics to a large number of shows, both old and new.

Sandra Levy, Associate Slavic Librarian, who worked closely with June for the 28 years since she was hired at Chicago in 1989, first met June even earlier, in the 1970s, when Sandra was a graduate student visiting the University of Illinois, where June was beginning her library career.  June began answering reference questions and mentoring Sandra even then.  “It’s who she was,” Sandra said.  “It wasn’t just that she was a mentor to me—she was a mentor to everyone.”  Sandra has received an outpouring of tributes from Slavic librarians who shared this experience: “June would tackle each and every reference question as if it were the most important question in the world.”

Colleagues are invited to send tributes and stories about June and her impact to junefarrismemories@lib.uchicago.edu.  These will be collected, shared with June’s family, and deposited in the University Archives.

People Meet new GIS and Maps Librarian Cecilia Smith

Cecilia Smith joined the Library as the GIS and Maps Librarian.  Cecilia comes to the University of Chicago from Texas A&M University where she was the Geospatial Librarian, Clinical Assistant Professor at the Evans Library. At Evans Library, Cecilia developed the GIS program, including services, spaces, and support.

Cecilia Smith

Cecilia Smith, GIS and Maps Librarian

Cecilia has an M.A. and Ph.D. in Anthropology from the University of Illinois at Chicago, an M.S. in GIS and Spatial Analysis in Archaeology, with honors, from the University College London and a B.A in Archaeology, Boston University.

Barbara Kern interviewed Cecilia to find out how she plans to work with faculty and students, and what she sees as emerging trends in GIS and Map Libraries.

Cecilia can be reached at ceciliasmith@uchicago.edu, 773-702-8761, Regenstein Library Room 371.

Q: What originally got you interested in Maps?

A: I became interested in maps when I realized how powerful they are—a map can show the shifting boundaries of the Roman Empire, explain the progression of a cholera outbreak, or get you safely home from your hike. They give you the ability to see the world and manage to do it using a single piece of paper.

Q: What originally got you interested in GIS?

A: I learned about geographic information systems (GIS) as an undergraduate researching the development of Mediterranean residences of the Bronze Age. It was a challenge to organize the many variables related to the structures’ location, orientation, and layout. GIS solved my need for a geographic database, and turned out to be so much more. I quickly developed an interest in using the technology to help with spatial analyses and to create visualizations of research results.

Q:  How have you worked with faculty at Texas A&M?

A: I worked with faculty at Texas A&M in three ways: collaborating on research, providing consultation on GIS related projects, and sharing resource information with their classes. The Early Modern Shipwreck project (http://modernshipwrecks.com/) is a good example of one of my collaborations with faculty in which I provided geospatial expertise.

Q: How will you work with faculty and students in your role?

A: I will focus on providing services and resources that enable faculty and students to discover, explore, visualize, and curate geospatial information. Geospatial information can take different forms, such as traditional paper maps or GIS files. I will offer consultations and workshops on how to work with different data types.

Q: If you could summarize your PhD research in a few sentences, what would you say?

A: My PhD research focused on changes to indigenous Philippine economies during Spanish colonization. I used GIS technology to analyze archaeological survey and excavation data in the Bacong Municipality of Negros Oriental. I found that the rugged geography of the study area significantly contributed to the indigenous populations’ ability to thrive while Spanish forces focused their resources on more accessible ports.

Q: You previously lived in Chicago.  What do you enjoy most about the city?

A: It’s hard to choose just one thing! I love the great food and the lakefront. One of my favorite places is the Lincoln Park Conservatory. I was also a researcher at the Field Museum, so Museum Campus is a favorite, too.

Feature Story Postcard Collection of Colonial Korea goes live online

A teacher and his students

교사와 학생 (Kyosa wa haksaeng / A teacher and his students). Saga Prefectural Nagoya Castle Museum, Japan (1900-1906).

The Postcard Collection of Colonial Korea is now available online. This Collection includes 8,000 postcard images depicting the cultural, industrial, and technological status of Korea from the first half of the 20th century. The Collection is a valuable visual resource for Korean studies at the University and will be a significant primary source for research.

About the collection

Decoration of marriage

신부와 혼례상 (Sinbu wa hollyesang / Decoration of marriage). Busan Museum, Korea.

The Postcard Collection of Colonial Korea includes items created between 1900 and 1945 in Korea or abroad. It is organized into three sub-collections:

  • Busan Museum Collection
  • Saga Prefecture Nagoya Castle Museum Collection
  • Other images in 日本地理風俗大系 and 日本地理大系

With the introduction of photography and the ease of printing in the Western world, the popularity of photo postcards developed quickly in the late 19th century. The emergence of imperialism as a global trend led to a rapid increase in cultural curiosity about colonies which was helped with the production of postcards containing colonial landscapes. As travel became a new consumer culture for the public, buying and selling photo postcards as souvenirs became commonplace, and collecting photo postcards emerged as a new hobby.

With the Japanese advancement in Korea, images of Korea and Koreans were mass produced for Japanese photo shops and souvenir shops in the form of photo albums and postcards. The photo postcards of Korea were made in sets of eight under the name Chosŏn Customs that were continually reproduced during the colonial period. These photo postcards can be broadly classified according to the nature of the photos, such as governance and administration postcards, customs postcards, tourist postcards, and promotional postcards. Each set depicts specific content such as customs, tourism, cities, architecture, people, and statistics.

The South Great Gate in Seoul, Korea

남대문 (Namdaemun / The South Great Gate in Seoul, Korea). Saga Prefectural Nagoya Castle Museum, Japan (1933-1945).

The Collection is valuable for its visual images of the cultural, industrial and technological side of Korea during the first half of the 20th century. Also, the first entity to produce photo postcards of colonial Korea was Japan, so the image of Korea portrayed in these late-modern photo postcards is not entirely free from imperialist and colonialist views. Imperial Japan created a specific representation of Korea through selectively chosen images that were presented as a careful overall reflection of the late Chosŏn period.

Creating the online collection

Seven institutions in North America—University of Chicago, Columbia, Harvard, University of Michigan, Duke, University of Toronto, and UCLA—acquired a copy of the scanned images of the Collection from a South Korean publisher in 2010. The seven institutions then formed a working group and collaboratively worked on metadata development, creating Korean Romanization, verifying Chinese and Japanese characters and adding English keyword search terms for each of the 8,000 postcards.

The University of Chicago’s copy of the Collection is currently stored at the LUNA program in the Visual Resources Center.

Special thanks to Bridget Madden, Associate Director at the Visual Resources Center for handling non-roman characters for the duration of this project and to Nanju Kwon, Korea Foundation Visiting Librarian Intern (2016-2017), who reviewed and corrected each of the 8,000 entries for verification.

For more information, please contact Jee-Young Park, Korean Studies Librarian.

The Governor-General of Korea Library and other buildings

조선총독부도서관 등 (Chosŏn Ch’ongdokpu tosŏgwan / The Governor-General of Korea Library and other buildings). Busan Museum, Korea.

Library summer quarter hours, June 18 – August 25

Beginning Monday, June 18, the Library will operate on summer quarter building hours at all of its locations. Summer quarter hours will end on August 25.

All libraries will be closed Wednesday, July 4 in observance of Independence Day.

Crerar
Sunday – Thursday 8 a.m. – 12 a.m.
Friday – Saturday 8 a.m. – 8 p.m.

D’Angelo Law
Monday – Friday 8 a.m. – 5 p.m.
Saturday – Sunday Closed

Eckhart
Monday – Friday 9 a.m. – 5 p.m.
Saturday – Sunday Closed

Mansueto
Monday – Thursday 8 a.m. – 9:45 p.m.
Friday 8 a.m. – 4:45 p.m.
Saturday 9 a.m. – 4:45 p.m.
Sunday noon – 7:45 p.m.

Regenstein
Monday – Thursday 8 a.m. – 10 p.m.
Friday  – Saturday 8 a.m. – 5 p.m.
Sunday noon – 8 p.m.

Regenstein All-Night Study
Closed until Monday, October 1.

SSA Library
Monday – Friday 9 a.m. – 1 p.m.
Saturday – Sunday Closed

For a complete list of hours for all locations and departments, see hours.lib.uchicago.edu.

Extended All Night Study hours June 1-3

Regenstein Libary 1st Floor Reading Room

Regenstein Libary 1st Floor Reading Room (Photo by Jason Smith)

To support students preparing for finals, the Regenstein 1st floor all-night study space will remain open Friday, June 1 and Saturday, June 2 after the building closes at 11 p.m.

The all-night study space will thus be open 24 hours until the end of finals on Friday, June 8.

For a full list of library hours, see http://hours.lib.uchicago.edu.

Exhibits The Cage

Colorful fortune tellers with punctuation marks

Fortune tellers from the exhibit “The Cage.” (Photo by Marina Resende)

Exhibit dates: May 30–June 4, 2018
Location: The Joseph Regenstein Library, First Floor, 1100 East 57th Street, Chicago, IL

Thirteen hundred “fortune tellers” will be exhibited on the First Floor of Regenstein Library. Inside them are snippets of Henry James’s novella In The Cage.

The Cage functions as a continual re-assemblage of the book. The original novella tells the story of a young woman who works as a telegraph operator at the post office. Through the novella she tries to piece together narratives from the terse telegrams she sends between the members of the upper class. This is, essentially, the mission of the installation as well—phrases have been isolated from within the text and scrambled, leaving only the traces of their original meaning.

Hands fold a fortune teller with text inside

A fortune teller for the exhibit “The Cage” includes snippets of text from Henry James’s novella “In The Cage.” (Photo by Maria Resende)

Visitors to the Regenstein will be invited to play with the fortune tellers, which will result in receiving a phrase and a punctuation mark. This phrase will then be added to a notebook, called the Facsimile, which accompanies the exhibit. Participants will be challenged to determine which form of connection (or non-connection) best completes the addition. The chance connections between phrases and people will create an unpredictable, collaborative re-assemblage of the original text.

The installation was created for “Studio R-A,” an art theory class taught in collaboration with the Gray Center for Arts and Inquiry. The class focuses on the practice of re-assemblage, which is the combining of disparate elements to create a new whole.

This project was led by students Kevin Beerman, Kirsten Ihns, Marina Resende, and Katie Akin, with guidance from Professors Bill Brown and Ted Brown, as well as artist/collaborator Ann Hamilton. Special thanks to Course Assistants Gabe Moreno and Brandon Truett, fellow students Cecília Resende Santos, Eva Murasov, JP Henry, Ashleigh Cassemere-Stanfield, Leah Chapell, Derek Ernster, Christopher Good, Tianyu Guo, Jola Idowu, Gray Center curator Zach Cahill, and George Scheer (Executive Director of Elsewhere Museum & Artist Residency). Finally, much gratitude is due to the Regenstein Library staff for their accommodation and the friends who helped with folding.

Three students prepare colorful fortune tellers

University of Chicago students Ashleigh Cassemere-Stanfield (PhD, English), Kirsten Ihns (PhD, English), and Katie Akin (College) prepare colorful fortune tellers for the exhibit “The Cage.” Inside the fortune tellers are snippets of Henry James’s novella “In The Cage.” The exhibit functions as a continual re-assemblage of the book. (Photo by Marina Resende)

Prayer Room opens in Regenstein B-60

On Monday, May 14, a new Prayer Room opened in the Regenstein Library.  The Prayer Room was made possible by the support of the Office of the Provost, Spiritual Life and the Library.  The Prayer Room is located on the B-Level in Room B-60.

Requests for access may be sent to spirit@uchicago.edu.  Requests need to include name, ChicagoID number (printed on the back of the UChicago Card) and department or year in the College.  Once access is granted, your ID card will unlock the room, which may be used during Regenstein building hours.

In addition to the new space, the Nursing Mother’s Room in B-51 is available for women’s prayer.   See Nursing Mother’s and Women’s Prayer Room for instructions regarding access.

Exhibits Play on Surfaces & Surfing: New Sculpture by Jessica Stockholder

Installation dates:  May 17 – June 7, 2018
Location: The Joseph Regenstein Library, 1100 E. 57th Street, First Floor, Chicago, IL 
Hours
: Mondays to Thursdays, 8:30 a.m. – 6 p.m.; Fridays, 8:30a.m.–5 p.m.; and Saturdays 9 a.m. – 1 p.m.

Opening reception and book signing:  May 17, 4:30–6:30 p.m., Regenstein Library Room 122 – RSVP

Jessica Stockholder, “Ceded,” 2017, Scanner, seed pods, paper maché, oil and acrylic paint, plastic part, table.

Artist statement about the installation

Artwork of CPU, oil paint, silk fabric, vinyl, table, hardware

Jessica Stockholder, “Sorrow,” 2017, CPU, oil paint, silk fabric, vinyl, table, hardware.

Three works are installed in the library where they exist in and amongst other objects that they are similar to.  Each of the works, Sorrow, Keeping Abreast, and Ceded takes as its staring point a generic desktop electronic device. These devices are all produced in multiple; in this way they are part of a grid of production and distribution that is much bigger than they are, and each one is greeted with an expectation that it will be the same as many others. These sculptures surf the wave of that expectation, and though each work takes a generic electronic box as its point of origin, the work is in the end unique.

All surfaces present an opportunity for illusion and storytelling. The surfaces of these boxes are replete with meaning before I get near them. They ask to be taken for granted. They present some small allure for the new owner, but the colors are neutral, the two-toned color scheme they often sport is quiet, and allows for stylistic change from year to year. Their exterior bears little relation to their interior function; the exterior surface of the box is designed to insinuate itself into our lives, to sit amongst the designs of interior home, office and library spaces.

My interventions in these surfaces propose variation, eccentricity, drama, humor, beauty and discomfort; new possibilities, and the suggestion that individual affect matters, are injected into the flow of the grid that these machines are a part of.

—Jessica Stockholder, April 2018


Organized by Laura Steward, Curator of Public Art, Smart Museum of Art

Current Exhibits Celebrating the Poetry of Asia and the Middle East

Collage of images derived from itemsin the exhibit

 

 

 

 

 

 


Exhibit Location: The Joseph Regenstein Library, Fifth Floor
Exhibit Dates: May 1 – June 30, 2018

For their inaugural joint exhibit, five area-studies librarians on the fifth floor of the Joseph Regenstein Library celebrate poetry from their own areas of expertise. The items highlight the diversity of poetry traditions.

Shown are one item to represent each of the three major poetic traditions of the Islamic Middle East: Arabic, Persian, and Ottoman Turkish. Each item also offers an example of their respective traditions of manuscript illumination.

  • Laura Ring, Librarian for Southern Asia and Anthropology

Southern Indian Akam or love poems from the classical Tamil anthology Aiṅkuṟunūṟu.

Having followed one of the major incidents in Korean history, the poems provide insight to moments of sorrow, pain, forgiveness, and hope resulting from and surrounding the Jeju 4.3 Uprising in 1948.

Poetry in the Tang Dynasty (618 – 907) is an unparalleled system reaching its pinnacle in the development of the poem. Its great value consists of an ideal combination of thoughts and art. Li Bai and Du Fu are considered two superstar Tang Poets.

Shown are poems composed in the traditional fixed forms waka, haiku, and senryū.

Exhibits Feature Story War, Trauma, Memory

Soldier in front of flag on cover of the Anzac Book

Cover, The Anzac Book. 1916. Special Collections Research Center, The University of Chicago Library.

Exhibition Dates: April 30 – August 31, 2018
Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL

It seems an understatement to note that war is traumatic to those who experience it in any way, shape or form. The pieces in this exhibition reflect their creators’ experiences in wars from the 16th century through the present day. Each was published or made public by their creators; by that action the creator invites us into the captured moment. We see, not a moment of trauma itself but a time after that moment, whether that be seconds or years. In this exhibition, the trauma of war is represented by that very absence of trauma, through the experience creators share with viewers, listeners or readers.

Here, photographs by soldiers or journalists at the scene share space with expressions of the effect of war created at a greater remove. Events are recounted at a personal, intimate level as in portraits of families or on a grand scale: the destruction of Dresden. Over time, images retain their power but may no longer serve the purpose for which they were made. For example, some of the items were created to be propaganda and here are displayed as art or as a curiosity. At times an overt intent of the creator or bias of the image is evident, and at others we need to remind ourselves that creators may have emotions hidden even from themselves. With images of war, in particular, the observer’s relationships to the conflict will affect the ways in which the object is understood. How many recall the stakes of the 30 Years War?

Drawing of soldiers

Jean Louis Forain. Le Poilu psychologue, [1918]. Special Collections Research Center, The University of Chicago Library.

Anchoring the exhibition is Francisco Goya’s Los desastres de la guerra, a book of prints etched in the early 19th century, left unpublished until 1863 for fear of censorship. The suite of plates Goya created in response to suffering he witnessed during the Napoleonic wars is considered to contain the first eyewitness images of war reporting. The book is opened to Plate 44 “Yo lo vi” (I saw it).

Indeed “Yo lo vi”: the images, sculpture, poetry, and music here are haunted by the very absence of violence and the persistence of memory.

Hours: Mondays through Fridays, 9 a.m. – 4:45 p.m., and, when University of Chicago classes are in session, Tuesdays and Wednesdays, 9 a.m. – 5:45 p.m.

Free and open to the public.

Yo lo vi

Francisco Goya. Plate 44, “Yo lo vi,” Los desastres de la guerra, 1893. Special Collections Research Center, The University of Chicago Library.

Related Event

In the Wake of the Bombs: Germany, 1945

May 14, 5 p.m.
Regenstein Library, Room 122

Professor Françoise Meltzer will speak about the book she is currently completing on the bombing of Germany in World War II: Through a Lens, Darkly. The talk is based on a series of photographs of the ruins taken by her mother in 1945.

Meltzer is the Edward Carson Waller Distinguished Service Professor in the Humanities, Professor in the Divinity School and the College, and Chair of Comparative Literature.

Cost: Free

Use of Images and Media Contact

Images from the exhibition included on this page are available for download by members of the media and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.

For more information, contact Rachel Rosenberg at ra-rosenberg@uchicago.edu or 773-834-1519.

Exhibits Migration Stories: book spines there burrowed

Exhibit Location: The Joseph Regenstein Library, Third Floor
Dates: March 27 – June 9, 2018
Public reading: April 19, 5:30 p.m.

A composite photograph showing a clenched fist holding a blurred driver’s license with three watches around the hand, wrist and forearm.

UndocuTime by Alejandro Monroy, AM’17, 2017.

Come to read and see writing and art drawing on experiences of migration.  This exhibit features the work of University of Chicago community members and of student writers and photographers including Urvi Khumbhat, Felipe Bomeny, Erik Mueller, and Gautama Mehta, together with that of faculty Vidura Bahadur, Laura Letinsky, Srikanth Reddy and Vu Tran. This wonderful work can be understood anew seeing it creatively set and reset among the beautiful and disturbing pages of artists’ books, including work by Zarina, Ana Mendieta, Paul Chan, Eva Fuková, Jacob Lawrence, Gerhard Richter, Mona Hatoum, and more.

Migration experiences may be full of disaster and hope, disorientation and transformation, and they generate stories, reflections, and images to be carried in turn.  The Migration Stories Project, begun through the University of Chicago creative writing program, has recently produced an anthology with some thirty stories, poems, essays, and documentary photographs from a huge variety of places and people who now live near the University of Chicago.  The anthology has taken its place in the Regenstein Library collection, and this installation celebrates the bravery and work of anthology contributors with the exhibition: book spines there burrowed.

A faded, horizontally printed page with dense columns of Japanese written characters and eight small blue-toned landscape photographs.

Japanese Historical Map. Awaji Annai by Hanshichi Bando, Meiji 36 [1903]

In three glass cases, the work of Migration Stories contributors is drawn together with art books from the Library’s collection, creating an art installation of its own.  Migration Stories: book spines there burrowed was curated by two University of Chicago students, Amber Collins and Lydia Mullin, who used for their title a line from contributor Jacqueline Feng’s poetry.  In the curators’ vision, the exhibition is “told in three parts: mapping, making home, and photographing motion.” They write that “its seams are not pulled from any one contribution to the anthology, but are instead made from the words, phrases, and sentences of its texts or the hues and negative spaces of its photographs.”  Come and contemplate art and writing that grow out of the human experience of migration, an experience that is a part of the history of every member of the University of Chicago community and of our larger neighborhood and community.

Related Event

A special, free public reading by anthology contributors and University of Chicago creative writing faculty will be held at the Regenstein Library, Room 122 on Thursday, April 19th, at 5:30 pm.

Related Resources

Migration Stories: A Community Anthology, 2017 is available in Knowledge@UChicago, the University of Chicago’s digital repository.

Navigate to Regenstein Library on April 6 to create success in your second year

Second-year undergraduates are invited to Regenstein’s A Level on Friday, April 6th from 3-5 p.m. for “Navigate: Creating Success in Your Second Year“.

Navigate Event Image

Attend “Navigate: Creating Success in Your Second Year” on April 6.

The University of Chicago offers a plethora of resources to help you navigate through your second year and beyond. The number of places you can go to enhance your experience can be overwhelming, but the University of Chicago Library, College Programming Office (CPO), and College Center for Scholarly Advancement (CCSA) has your back! Come to the A-Level of the Regenstein Library on Friday April 6th to learn about how these offices can help you on your journey to success:

  • Chicago Studies
  • College Center for Scholary Advancement (National Fellowships)
  • Drop In Academic Advising
  • English Language Institute Programs
  • Global Health Research Fellows Program
  • Language Study Programs
  • Institute of Politics
  • Mellon Mays Fellows Program
  • Neighborhood Schools Project
  • University of Chicago Library
  • Stevanovich Center
  • Study Abroad

During the event, the Library will also be offering workshops and a Special Collections Open House to learn more about research tools and materials to support your coursework:

  • Jump-Start Research in Your Major, Room A-11, 3:153:45 p.m.
    Learn about Learn about resources available through the Library to support research in your field of study, including research guides, specialized databases, and subject librarians.
  • Special Collections Research Center Open House,  3:30-4:30 p.m.
    Discover the amazing sources available in the Special Collections Research Center for your coursework or research. The open house features examples of the Library’s holdings in rare books, manuscripts, and University of Chicago Archives. Special Collections staff will be on hand to answer questions about our collections and the many research possibilities they afford.
  • Stay Organized and Cite Right with Zotero, Room A-11, 3:45-4:15 p.m.
    Zotero is a free citation manager that helps you organize your research and create citations and bibliographies in a variety of styles like MLA, APA, and Chicago. Drop by for a brief demo of this great tool that will change the way you do research.

Registration is not required, but appreciated. Register now!

Students in need of an accommodation to attend the event should contact Rebecca Starkey at rstarkey@uchicago.edu.

Celebrate National Poetry Month at the Library

National Poetry Month Poster

April is National Poetry Month and the Library is the perfect place to celebrate it. Our National Poetry Month Research Guide gives links to poetry in books, online (including readings of & podcasts about poetry) and places to go to hear poetry live in Chicago. Extending National Poetry Month by a few days, on 4 May Rosa Alcalá will be reading at the Regenstein Library in room 122, at 6pm. Join us to hear this important voice in contemporary American poetry as we continue our celebration.

A poetry reading featuring Rosa Alcalá

When: Friday, May 4, 2018, 6:007:30 p.m.
Where: Regenstein Library, Room 122A-B
1100 East 57th Street, Chicago, IL
Description: Rosa AlcaláPoet and translator Rosa Alcalá will read new work and poems from her acclaimed third collection MyOTHER TONGUE (2017), which Stephanie Burt described in the New York Times as “pellucid, as well as laconic, and [it] might make you cry.” Alcalá is the author of three collections of poetry: Undocumentaries (2010), The Lust of Unsentimental Waters (2012), and MyOTHER TONGUE. Her chapbooks include Some Maritime Disasters This Century (2003) and Undocumentary (2008). A highly regarded translator, she has translated the poetry of Cecilia Vicuña, Lourdes Vázquez, and Lila Zemborain, among others. She earned her MFA from Brown University and PhD from SUNY-Buffalo, and she currently teaches in the department of creative writing and bilingual MFA program at the University of Texas, El Paso.

The reading is sponsored by the Joseph Regenstein Library and Chicago Review.

Cost: Free
Contact: Joseph Regenstein Library
773-702-4685

Streamlined Interlibrary Loan request process combines UBorrow, BorrowDirect and Recall in one service

The Library is now offering an improved Interlibrary Loan service that provides a streamlined way for UChicago faculty, students, and staff to request materials from a wide range of other libraries.

Previously, Library users had to decide among several services to obtain needed material:

  • BorrowDirect for obtaining material from the Ivy Plus libraries;
  • UBorrow for obtaining material from the Big Ten Academic Alliance libraries;
  • Traditional Interlibrary Loan for material held in other libraries; or,
  • Recall for University of Chicago Library copies already on loan.

Click the “Request via Interlibrary Loan” link on the FindIt! page to use the streamlined service.

Now you will use a single Interlibrary Loan service that automatically gets you what you want in the best and fastest way. Big Ten and Ivy Plus partners will continue to provide expedited delivery in roughly 4-5 days. Items will usually be obtained from other libraries, but local copies will still be recalled if needed material is not rapidly available via interlibrary loan.

To use the new Interlibrary Loan service:

There is no need to search UBorrow and BorrowDirect individually anymore to make a request, as the improved Interlibrary Loan service will do that for you. However, the UBorrow and BorrowDirect search pages are still available from the Library’s home page if you want to use them.

Handing a student a book at Eckhart Library

New Voter Services Guide available just in time for the March 20 Primary

Graphic "Be Ready to Vote"Confused about where to go on Election Day or how to get good information about candidates?  Try the new Voter Services Guide.

Find out where the early voting locations are near the University or locate your precinct polling place. You can also learn what you need to register to vote on Election Day. There are also many new programs such as BallotReady or VoteSmart, which allow you to enter your address and pull up an exact copy of your ballot.  Most have information on candidates readily available and some allow you to send yourself your selections for Election Day voting.

 

Exhibits New Harry Potter book display and research guide

Harry Potter Book Display

Display of books about the Harry Potter series. Photo by Rebecca Starkey.

Do you need a little bit of magic during reading period and finals week? Take a break from studying by visiting our new display of Harry Potter materials on the 1st floor of Regenstein (near the Dissertation Office). This one-case display highlights just a few of the items available at the University of Chicago Library about the Harry Potter series, including translations, critical studies, and parodies.

For more Potter-related materials in our collections, visit our accompanying Harry Potter and J. K. Rowling Research Guide which includes links to ebooks, reference sources, music, and more.

Remember, if you need help locating research materials on Harry Potter, J. K. Rowling, children’s literature, or just need help with your final paper, Ask a Librarian!

“Because that’s what Hermione does,’ said Ron, shrugging. ‘When in doubt, go to the library.” – Harry Potter and the Chamber of Secrets

Extended All Night Study hours Mar. 9 – 11

Regenstein Libary 1st Floor Reading Room

Regenstein Libary 1st Floor Reading Room (Photo by Jason Smith)

To support students preparing for finals, the Regenstein 1st floor all-night study space will remain open Friday, March 9 and Saturday, March 10 after the building closes at 11 p.m.

The all-night study space will thus be open 24 hours from Monday, March 5 until the end of finals on Friday, March 16.

For a full list of library hours, see http://hours.lib.uchicago.edu.

People Raymond Gadke, AM’66, Reading Room Manager, 1943-2018

Raymond Gadke provided scholarly resources to four decades of researchers and mentorship to generations of College students at the University of Chicago. He died this week at age 74.

Raymond Gadke, 1943-2018. Inspired by a fondness for Elvis Presley’s garb in “Blue Hawaii,” Ray made Hawaiian shirts his regular uniform, and librarians directed patrons needing help with microfilms to find him based on his signature look. (Photo by John Zich)

Ray came to the University of Chicago as a master’s student in the Division of the Humanities with a strong interest in history, conducting research on the Catholic Church, completing his AM in 1966 and joining the Library staff in 1969. His early interests, wide-ranging intellectual curiosity, giving nature, and close relationships with researchers and students were the hallmarks of his life and career at the University of Chicago.

Anyone who has frequented the microforms department in Regenstein Library since it opened in 1971 would recognize Ray, who began by overseeing this collection. Over the years, his responsibilities expanded to include the management of periodicals and, ultimately, all of the Regenstein reading room collections.

“He was an unfailingly friendly, unfailingly helpful face in the Library, known to thousands of people who walked through the doors—a bit of constancy in a sea of change,” said David Bottorff, Head of Collection Management and Circulation.  “He had an encyclopedic knowledge of the microfilm collection that is not replaceable.”

Ray used that knowledge to help researchers find the particular piece of microfilm they were looking for, getting to know the visitors who returned regularly, where they came from, and what they needed. He also became a mentor to scores of students who worked for him over more than 40 years at the Library.  In recognition of the important role he played in their lives, more than 50 UChicago alumni raised $75,000 in 2015 to create the Ray Gadke Internship Fund Established by Friends of Ray to Endow Undergraduate Internships.

Outside the Library, Ray frequently gave tours on campus, sharing his knowledge of the architecture, and he was widely known for his personal collection of religious statues, which started in the 1980s when Catholic priests who knew him from his graduate school research began giving him items from churches that were closing.  The collection rotated, as he gave items from his collection to other Catholic churches and schools as new ones came in.

Within the Library, Ray was known for organizing staff donations to the Hyde Park and Kenwood Hunger Programs, collected at the annual holiday party in December.

He also donated rarely held religious studies materials and funds to the Library.  David Larsen, Director of Access Services and Assessment, recalls a period when Ray would regularly come to the Library with liturgical works relating to obscure monastic communities in the Midwest.

“Ray was a wonderful University and Library citizen,” said Brenda Johnson, Library Director and University Librarian. “In memory of his parents, Ray generously established the Elden and Ruth Lauffenburger Gadke Endowment Fund to acquire, preserve, and provide access to books and other scholarly resources in religious studies. The fund will now become a lasting symbol of Ray’s kindness and of his deep commitment to religious studies. His good cheer, deep institutional knowledge, and longstanding commitment to students, researchers, library colleagues, and the greater community will be greatly missed.”

Donations in Ray’s memory may be made to the Annual Fund at the University of Chicago Library, the Hyde Park and Kenwood Hunger Programs, PAWS Chicago, or the Ray Gadke Internship Fund (choose “College: Jeff Metcalf Internships” in the “Area of Support” drop-down and note “in memory of Ray Gadke” in the comment field).

A memorial service will be held at Hyde Park Union Church on Wednesday, March 14 at 4:30 p.m.

People James Nye travels to Nepal as a Fulbright Fellow

James Nye

James Nye

James Nye, Bibliographer for Southern Asia at the University of Chicago Library, has received a 2018 fellowship under the Fulbright Specialist Program. He was matched with the Madan Puraskar Pustakalaya in Lalitpur, Nepal for developing library and archive resources in the Nepali language. Madan Puraskar Pustakalaya, founded in 1955, is the world’s largest collection of Nepali books and periodicals.

During his fellowship, Nye will join in a survey of Nepali collections in the Kathmandu Valley, Palpa, and Lumbini, many of which were severely damaged in the 2015 earthquakes and are still out of service. He will also deliver a public lecture on the history of the book in Nepal, conduct a workshop for professionals on metadata for libraries and archives, engage in an academic roundtable discussion on archives in North America and Europe with holdings on Nepali, and assist colleagues at the Madan Puraskar Pustakalaya as they develop a collection development statement and plan for their collection.

The University of Chicago Library holds one of the largest collections of Nepali publications in North America with special strengths in publications from 1960 through the present.

Exhibits Rhythm and Bombast: In Memory of Willie Pickens (1931-2017)

Willie Pickens at Pritzker Pavilion at Millennium Park

Willie Pickens at Pritzker Pavilion at Millennium Park, July 2011 (Viewminder, CC BY-NC-ND)

Exhibit Dates: February 19 – April 29, 2018
Exhibit Location: The Joseph Regenstein Library, Fourth Floor

“I don’t have big paws like Oscar [Peterson] or a nice, big stretch like Benny Green’s. . . . I have to create illusions, make it sound like I’m doing something I’m not.”
— Willie Pickens (Lloyd Sachs, “Willie Pickens Rides Jazz Machine to Glory,” Chicago Sun Times, March 13, 1994)

Internationally known Jazz pianist and Hyde Park resident, Willie Pickens, passed away on Tuesday, December 12, after practicing for a “Jazz at Lincoln Center” show at Dizzy’s Club Coca-Cola in New York. Pickens was known for his bombastic style and thunderous sound, paired with a melodic and harmonic ingenuity and versatility. He was born in Milwaukee, Wisconsin on April 18, 1931. One of six children, his mother, Minny Hall, was a pianist who exposed him to music at an early age. Young Willie took to the piano early, practicing for hours at a time as a boy.

He graduated from University of Wisconsin-Milwaukee in 1955, with a BA in music education, and soon after moved to Chicago. In Chicago, Pickens found his place among the jazz community, in which he would excel as a musician, a teacher, and a mentor. Pickens achieved international acclaim with his piano work on Eddie Harris’ hit recording “Exodus,” from the gold record “Exodus to Jazz,” released by Chicago-based VeeJay records in 1961. He released his recording debut as a trio leader with his 1998 album “It’s About Time” on Southport Records. During his career, he toured with Joe Henderson, Clark Terry, Wynton Marsalis, Quincy Jones, Louis Bellson, Bunky Green, and Red Holloway. He appeared regularly at the Chicago Jazz Festival and the Hyde Park Jazz Festival.

Willie Pickens’ debut album, “It’s About Time”

Willie Pickens’ debut album as a trio leader, “It’s About Time” (Southport Records, 1998)

Willie Pickens was a devoted teacher and mentor, including to his daughter, jazz pianist Bethany Pickens. He taught in Chicago high schools from 1966-1997. He launched the music program at Hyde Park’s Kenwood Academy in the 1960s. Bethany Pickens currently teaches in this program. In 1995, he became a founding member of the Ravinia Jazz Mentor Program, and in 1997 joined the faculty of Northern Illinois University’s School of Music.

This exhibit in two cases displays examples of Pickens’ work from the University of Chicago Library’s general collection, as well as materials from the Chicago Jazz Archive.

An online exhibit is available as well.

The social media post announcing the passing of Willie Pickens

The social media post announcing the passing of Willie Pickens, from his daughter, Bethany Pickens (reproduced with permission)

Exhibits The Printing Press Comes to Eastern Europe in the Slavic Tongues

Exhibit Location: The Joseph Regenstein Library, Second Floor
Exhibit Dates: February 13 – June 1, 2018

Graving with Francysk Skorina 1517

Woodcut of Francysk Skorina 1517

 

2017 marked the quincentennial of the printing of the first translation of the Bible into the Belarusian language. Francysk Skaryna (1490-1552) is credited with publishing this translation.

From the start, the work reflects the international scope of the world of the printing press. Skorina’s Bible was translated into Belarusian and printed in Prague. From there it was shipped into Belarus to be distributed. The first Bulgarian book was printed in Germany and again shipped and distributed in Bulgaria. Printing presses started, closed and moved to new locations. Presses started throughout the area. Since then scholars have studied the changes brought by these books to language, culture, and other aspects of life. The exhibit reviews the history and study of the printing press in Eastern Europe through various vernacular tongues.

Exhibits Science and Conscience: Chicago’s Met Lab and the Manhattan Project

Reunion of atomic scientists on the 4th Anniversary (1946) of the first controlled nuclear fission chain reaction, December 2, 1942, pictured in front of Bernard A. Eckhart Hall at the University of Chicago. University of Chicago Photographic Archive, apf3-00232, Special Collections Research Center, University of Chicago Library.

Exhibition Dates: February 19 – April 13, 2018
Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL

On December 2, 1942, scientists at the University of Chicago produced the world’s first self-sustaining nuclear chain reaction beneath the West Stand of Stagg Field, the University’s athletic stadium. This experiment, crucial to the control of nuclear fission, drove a rapid nationwide expansion of the Manhattan Project, the secret federal research and engineering program charged with producing a nuclear bomb.

Chicago’s role in the Manhattan Project did not end with the successful operation the first nuclear reactor.  Buildings across the University of Chicago campus were converted for use by the code-named Metallurgical Laboratory.  The Met Lab conducted extended research on the structure of uranium, developed the process for separating plutonium from uranium, and investigated nuclear radiation’s biological effects and safety issues.  At the end of World War II, the Metallurgical Laboratory was transformed into the first United States federal laboratory, Argonne National Laboratory.

Chicago’s Met Lab also took the lead in organizing scientists’ political response to the devastation caused by atomic bombs at Hiroshima and Nagasaki.  Concerned about the future development and use of nuclear weapons, Met Lab veterans created the Atomic Scientists of Chicago and began publishing the Bulletin of the Atomic Scientists.  They joined scientists from other Manhattan Project sites across the country and pressed successfully in 1946 for the passage of the Atomic Energy Act (McMahon Act) and creation of the civilian Atomic Energy Commission.

The Met Lab scientists achieved great technical success in their contribution to the creation of a powerful new military weapon.  Yet the sobering consequences of their work moved them to enter the political arena and make the first critical arguments to control nuclear weapons and turn nuclear energy toward peaceful ends.

Based on archives and manuscripts in the Special Collections Research Center, Science and Conscience presents unique historical documents and artifacts, many not previously exhibited.  Items on display are drawn from records of scientists’ organizations and the papers of those who worked on the Manhattan Project and at Chicago’s Met Lab, including Enrico Fermi, James Franck, Herbert L. Anderson, Samuel K. Allison, Samuel Schwartz, Francis W. Test, Lawrence Lanzl, John H. Balderston, Jr., Albert Wattenberg, Eugene Rabinowitch,  Paul Henshaw, William B. Higinbotham, and Donald MacRae, among others.

Hours: Mondays through Fridays, 9 a.m. – 4:45 p.m., and, when University of Chicago classes are in session, Tuesdays and Wednesdays, 9 a.m. – 5:45 p.m.

Free and open to the public.

Use of Images and Media Contact

Images from the exhibition included on this page are available for download by members of the media and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.

For more information, contact Rachel Rosenberg at ra-rosenberg@uchicago.edu or 773-834-1519.

MLK Day 2018: Regenstein and Mansueto open; all other libraries closed

On Monday, January 15, Crerar, D’Angelo Law, Eckhart, and SSA libraries will be closed in observance of the Martin Luther King Day holiday.

Regenstein and Mansueto will remain open during their regular building hours. The All-Night Study Space on the 1st Floor of Regenstein will also remain open.