Exhibits

Chicago Central: A History of Rails and Trains in the City

The John Crerar Library Atrium
April 16-October 12, 2012

 

Steam Train Leaving Dearborn Station, 1955. John Kelly Collection.

Chicago’s rapid growth into a major metropolis coincided with the rise of trains as the preeminent form of transportation in America.  In the late nineteenth century, Chicago developed into the Midwest’s  hub of train transport  and a manufacturing center for railroad equipment.  The exhibit examines some elements of this history, including the city’s stations, trains and rail workers and innovations in train technology.

Girl Scouts of America Centennial, 1912-2012

Juliette Gordon Low Pinning a Girl Scout with the “Golden Eaglet” circa WWI.

“Come right over, I’ve got something for the girls of Savannah and all America, and all the world, and we’re going to start it tonight!” –Juliette Gordon Low, March 12, 1912

This year marks the centennial anniversary of the Girl Scouts of America (GSA). In celebration, visit the exhibit on the 2nd floor of Regenstein Library, which showcases materials about the Girl Scouts from the Library’s collections together with Girl Scout memorabilia on loan from Kathryn Grossman and Dana Wennerberg.

On March 12, 1912, Juliette Gordon Low assembled a group of eighteen girls in Savannah, Georgia to establish the first troop. Known as “Daisy” to her family, Juliette was inspired to found a youth organization for girls after she met Sir Robert Baden-Powell, founder of the Boy Scouts and Girl Guides. Her goal was to teach girls self-reliance and resourcefulness through outdoor activities at a time when women’s roles were severely limited. 

Girl Scouts today participate in many of the same activities as the earliest troops, such as camping, hiking and earning badges. Cookie sales have funded troops since 1917. At the same time, the GSA has always responded to the needs and issues of the times. During World War I, girls learned about food production and conservation, sold war bonds, worked in hospitals, and collected peach pits for use in gas mask filters. After the attacks of September 11, 2001, girls performed community services, hosted remembrance ceremonies, and wrote thank-you letters to rescuers. In its first decade, a Girl Scout could earn over 25 different badges, including Child Nurse. The most recent badges include Global Awareness, Adventure Sports, Stress Less, and Environmental Health.

From its inception, the Girl Scouts of America was committed to inclusivity. The original troop included Christian and Jewish girls, girls from influential Savannah families and girls from a local orphanage. The Girl Scouts was one of the few organizations of its time that welcomed the membership of the physically disabled. Juliette Gordon Low, herself, battled ear infections and was functionally deaf by the time she founded the Girl Scouts. The first African-American troops were established in 1917. One of the earliest Latina troops was formed in Houston in 1922. Girl Scout troops supported Japanese-American girls in internment camps in the 1940s, and by the 1950s, GSA was working to integrate fully all of its troops. In 1956, Dr. Martin Luther King, Jr. called Girl Scouts “a force for desegregation.”

Today, the Girl Scouts of America has 3.2 million members and 50 million alumnae. Girls at home and abroad participate in troops and groups in more than 92 countries through USA Girl Scouts Overseas. Through its membership in the World Association of Girl Guides and Girl Scouts, Girl Scouts of the USA has a following of 10 million girls and adults in 145 countries.

Selections adapted from the website for Girl Scouts of America (www.girlscouts.org)

The Music of Howard Sandroff and the Computer Music Studio at UChicago

Sound sculpture by Howard Sandroff

The exhibit The Music of Howard Sandroff and the Computer Music Studio at the University of Chicago surveys the evolution of electronic and computer music from the early 20th century to the present.  Scores and recordings, an analog synthesizer, a theremin, and Sandroff’s sound sculpture will be on display.

The exhibit runs from February 20 to June 29 on the 3rd Floor Reading Room of Regenstein Library at 1100 East 57th Street.

To celebrate the opening of the exhibit, Sandroff (computer) and Ben Sutherland (percussionist) will give a world premier performance, Interactive Improvisation for Computer and Sound Sculpture, on Tuesday, February 21 at 12:15 pm in Regenstein Library, Room A-11.

For exhibit hours, see Regenstein Library ID and Privileges Office hours.

Vaclav Havel, 1936 -2011: Playwright, Dissident, Statesman

“The hero came straight out of prison into the castle of the Czech kings and Roman emperors… the most powerful rulers in the world visited him, he received honors of a sort not received by any Czech or Slovak spokesman in the past four hundred years. In him the world saw new hope… Vaclav Havel was president for 935 days*. People expected too much from him in too short a time. They wanted to be as rich as the Swiss and as socialized as the Swedes. They wanted him to return to them everything the Communists had taken away; maybe they even wanted back their youth of forty years ago. And the hope that a magnificent life was awaiting them. Havel was like a good king. He would have been happy to do everything for his people. The people projected their desires as well as their bad qualities onto the people in power. Vaclav Havel started to appear to citizens as too moral, too intellectual, too soft, and not strict enough. In fact, too democratic. Maybe they longed at this moment for someone who resembled them more… From great joy and euphoria, people and nations pass into great sadness and depression. Nations behave just like individuals. It takes a long time for them to find their balance. As they grow wiser, they will begin to resemble the king who ran so far ahead of them…”

-Eda Kirseová, Václav Havel: The Authorized Biography. (NY: 1993)

 *The 935 days refers to Havel’s “first” presidency (29 December 1989 – 20 July 1992).

He was Czechoslovakia’s last president and six months later he would then become the new Czech Republic’s first president (February 1993 –February 2003).

 It is nearly impossible to discuss Vaclav Havel’s life and work without resorting to the language of fairy tales and the myths of the ancient Czech lands. The knights of Bohemian legend are said to slumber inside Blanik Mountain, ready to ride out and help the people in times of distress (see the Masaryk Memorial on the east end of the Midway Plaisance for the embodiment of this knight). And so it was with Tomáš Masaryk, the first president of the newly formed country of Czechoslovakia in 1918, and so it was with Vaclav Havel, the first president of the new Czech Republic. At the 20th century’s beginning and at its close, as this small country hovered on the brink of transformation, it produced leaders of great merit, whose statesmanship was based on deep humanitarian, literary and philosophical principles.

Born into an entrepreneurial and intellectual family which was closely linked to the cultural and political events in Czechoslovakia from the 1920′s – 1940′s, and thus damningly labeled “bourgeois”, Havel was deprived of any entrée into higher education in the humanities, his passion from an early age. Yet, he began publishing poetry in his early 20s, swiftly followed by literary essays and the first of more than 25 plays, few of which were able to be performed in his homeland and all of which were banned from publication for many decades. In 1956, at the age of 20, he delivered an address at a meeting of young writers criticizing the censorship of Czech literature (occurring just after Khrushchev’s denunciation of Stalin and the cult of personality), catapulting him into notoriety. His plays inevitably led to social action, since, for him, the two were inextricably united:

…theatre doesn’t have to be just a factory for the production of plays… it must be something more: a living spiritual and intellectual focus, a place for social self-awareness, a vanishing point where all the lines of force of the age meet, a seismograph of the times, a space, an area of freedom, an instrument of human liberation. I realized that every performance can be a living and unrepeatable social event, transcending in far-reaching ways what seems, at first sight, to be its significance…

Throughout the 1960s, 70s and 80s, Havel continued writing and continued dissenting in profound and dangerous ways. Protesting the repression of the communist government, he sent an open letter to President Gustáv Husák (1975), co-founded Charter 77 (1977), and the Committee for the Defense of the Unjustly Prosecuted (1978), all of which led to years of imprisonment, house arrest and unrelenting harassment by the government; nevertheless, Havel became one of the leading figures of the Velvet Revolution, and only months after being released from prison in 1989, he was elected president of the country he had refused to leave.

Havel’s presidency focused on human rights and the global responsibility for their observance, the organization and integration of Europe and the place of the Czech Republic within it, globalization, the environment and its conservation. After his second full term in office ended in 2003 until his death in 2010, he continued to promote activities which would lead to a better understanding of these areas of concern.

The exhibit is located in the Fourth Floor Reading Room of the Joseph Regenstein Library, adjacent to the Slavic Reference Collection, and will run through May 2012.

Passover Haggadot from Durchslag Collection

Illustration of Seder dinner - 1867 Livorno Haggadah

Illustration of a Seder dinner from an 1867 Haggadah printed in Livorno, Italy

Archetype and Adaptation: Passover Haggadot from the Stephen P. Durschlag Collection
An exhibition at the
Special Collections Research Center Exhibition Gallery

1100 E. 57th Street, Chicago
April 2 — May 12, 2012
Mon. — Fri., 9 a.m.­ — 4:45 p.m.
Sat: 9 a.m. — 12:45 p.m. when University of Chicago classes are in session
Free and open to the public

The week-long, springtime Jewish holiday of Pesach, or Passover, is beloved for its symbolic meaning and joyous customs. Passover marks the freeing of the Israelites from slavery in Egypt, a narrative with universal appeal as a paradigm for collective and, according to some traditions, personal liberation. The Haggadah (plural: Haggadot), or “telling,” is the collection of prayers, legends, and stories recited on the eve of Passover.

The basic text of the Haggadah derives from the biblical instruction to retell the story of the Exodus each year during Passover in conjunction with a ritual meal called the Seder, or “order” (Exodus 13:8). Over the centuries songs and illustrations have been added to engage children, to whom the story was to be told, and some passages are given added prominence when they resonate with contemporary concerns. Illustrations in medieval manuscripts depict scenes from Exodus, the life of Moses, and Jewish Patriarchs. Many of these scenes continue to appear in early printed Haggadot, but the emphasis shifts to passages drawn directly from the text. The Haggadah has shown remarkable stability and flexibility: thousands of editions in all languages testify to its central role in Jewish life and its ability to incorporate new themes and respond to changing conditions.

This exhibition is drawn entirely from the private collection of Stephen P. Durchslag, the largest known collection of Haggadot in private hands. “Archetype and Adaptation” explores the enduring influence of early printed Haggadot as well as the ability of modern versions to reflect political and social developments such as the Holocaust, Zionism, gay rights, and feminism. The Haggadah embodies the adaptive genius of Jewish practice and the consequent vitality of Jewish life.  Items selected for the exhibition exemplify early Haggadah archetypes and later adaptations, framed by facsimiles of medieval manuscripts and modern Haggadot illustrated by noted artists.

Illustrations were often copied and pirated in early printed books. Images were expensive to produce, so woodcuts were reused until they wore out and copper plates made long journeys from one city to another. During the sixteenth and seventeenth centuries, several Haggadot became models for countless later editions. Yosef Yerushalmi has identified four early printed editions that served as “archetypes”: Prague (1526), Mantua (1560), Venice (1609), and Amsterdam (1695). Each of these was shaped by the artistic culture and printing trades of the city in which it was produced—for example, Renaissance Italian borders and architectural frames appear in Venice, copperplate engraving is used instead of woodcut in Amsterdam—and introduced iconography that can be seen in Haggadot produced hundreds of years later. The exhibition traces the movement of these models across continents and time, demonstrating the enduring appeal of the Haggadah story and the infinite variety of interpretation and adaptation it inspires.

Curator: Pesach Weinstein, Ph.D. Candidate, Divinity School

Illustration of the Four Sons

Illustration of the Four Sons from a 1695 Haggadah printed in Amsterdam

 

The Haggadah: An Exhibition and Lecture Series

The Chicago Center for Jewish Studies, the University of Chicago Divinity School, and the Special Collections Research Center are presenting a lecture series, associated with the exhibition described above.  All lectures take place in the Special Collections Research Center and are followed by a reception and opportunity to view the exhibition.  All are free and open to the public.

April 1
“The Haggadah and the Jewish Imagination”

5:00 p.m. — Introductory comments in the Exhibition Gallery – Stephen P. Durchslag
5:30 p.m. — Lecture: The “Haggadah” and the Jewish ImaginationDavid Stern, Moritz and Josephine Berg Professor of Classical Hebrew Literature, University of Pennsylvania
6:30 p.m. — Reception and Exhibition Viewing

April 22 – 5:30 p.m.
Marc Michael Epstein (Vassar College)
“Birds’ Head Revisited: Identity, Politics and Polemics in the Birds’ Head Haggadah”

May 6 – 5:30 p.m.
Vanessa Ochs (University of Virginia)
“The Coconut on the Seder Plate: A Biography of the Contemporary Haggadah”

May 13 – 5:30 p.m.
Katrin Kogman-Appel (Ben-Gurion University of the Negev)
“Popularizing Books in a Manuscript Culture: The Visual Language of the Late Medieval Haggadah”

The Science of Sustainability – newly archived web exhibit

The Science of Sustainability, an exhibit that ran in Crerar Library in 2010, is now available online as an archived web exhibit.

About the exhibit: How do advances in science and technology affect approaches to sustainability in building design? This exhibit explores building practices such as green roofs, recycled building materials, and new energy technologies that can reduce a structure’s environmental impact. It features the renovated Searle Chemistry Building as an example of green building design.

We Are Chicago: A Study Break Celebrating Student Life at UChicago

Photo from the University Archive of students drinking sodas.

Photo from the Archival Photographic Files, apf4-03553, Special Collections Research Center, University of Chicago Library.

Friday, March 2nd
2:30 – 4:30 p.m.
Special Collections Research Center
Regenstein Library, 1st Floor

Gallery talk at 3 p.m.  Refreshments will be served.

In honor of our new exhibition “We Are Chicago: Student Life in the Collections of the University of Chicago Archives”, the Special Collections Research Center welcomes students to visit a special, hands-on display of materials from the University Archives.   Browse the gallery and visit our seminar room for a hands-on viewing of items highlighting student theater, sports, Greek life, arts, politics, and more.  

Persons with disabilities who need an accommodation in order to participate in this event should contact Julia Gardner at 834-0627 for assistance.

“We Are Chicago” exhibition documents 120 years of UChicago student life

We Are Chicago Exhibition

“We Are Chicago: Student Life in the Collections of the University of Chicago Archives” is a new exhibition in the Special Collections Research Center highlighting student experiences over a span of 120 years. Drawn from the historical collections of the University Archives, the exhibit features recent donations as well as rarely seen materials from the University’s past. Costumes, photographs, T-shirts, letters, posters, publications, and memorabilia combine to make this the largest and most inclusive exhibition in the ongoing Special Collections archival series, Discover Hidden Archives Treasures.

“We Are Chicago” includes an interactive comment board that allows students, alumni and other exhibit visitors to post a memory about their time here at the university.  Another highlight is a slide show displaying digitized photographs from the Chicago Maroon student newspaper, a collection donated to the Archives by the Chicago Maroon in 2010.

Tracking student life on campus is an archival challenge. More than 300 Registered Student Organizations exist at the University.  Understanding the history of student life is equally complex. Since the university’s founding in 1892, students have organized an amazing array of social, academic, cultural, residential, athletic, literary, and political groups.

“We Are Chicago” displays some of the most intriguing documents, photographs, and artifacts from these groups. Some were donations presented by individual alumni and their families. Others were responses to appeals in the alumni magazine or gifts of student organizations, fraternities, and clubs. Taken together, these unique historical items show the range of the archival collections, but they also suggest the many gaps waiting to be filled. The University Archives welcomes donations from alumni, students, and community neighbors who have historical materials on student life that can be preserved and made available to the students and researchers of the future.

This exhibition runs January 17 to March 23, 2012, in the Special Collections Exhibition Gallery, located on the first floor of Regenstein Library.  The gallery is open Monday through Friday, 9:00am-4:45pm, and, when classes are in session, Saturdays 9:00am-12:45pm. 

 

Lecture and Reception, Wednesday, January 25: Past, Present, Future: the Evolution of Medicine at the University of Chicago’s Hospitals

Past, Present, Future: the Evolution of Medicine at the University of Chicago’s Hospitals

Lecture by Mindy Schwartz, Associate Professor of Medicine at the Pritzker School of Medicine, University of Chicago

The lecture will begin at 4:00 pm in Crerar Library and a reception with light refreshments will follow. 

Please RSVP here.

Description: A hospital and medical school at the University of Chicago were envisioned by the university founders.  That plan, initiated with a joint medical program with Rush Medical College, was followed by the development of the world-class University of Chicago Medical Center on campus.  At this lecture, Dr. Schwartz provides an overview of the history and evolution of the medical school program, the hospital facilities and their technology, and medical partnerships with other Chicago area hospitals.

 

‘A Song for This Day’: Celebrating the Faiz Centenary

Exhibit: “A Song for This Day”: Celebrating the Faiz Centenary
Regenstein Library – 5th Floor Reading Room
Through Feb. 13, 2012

Sadequain's illustration of Faiz's poem "Bol"

Faiz Ahmad Faiz (13 February 1911 – 20 November 1984) is one of the most widely known and loved 20th-century Urdu poets from South Asia. An outspoken leftist, he has been a symbol of revolt and dissent against oppressive regimes and social injustice and a great inspiration for those who fight for freedom and human rights. At the same time, his ability to skillfully manipulate the traditional imagery and metaphors of classical Urdu poetry to express his deep humanism and his critique of contemporary society elevates his poetry from the realm of the political and contributes to its broad appeal. Faiz is often regarded as the unofficial poet laureate of Pakistan, and has won international acclaim as well.

In this exhibition, we pay particular attention to Faiz vis-à-vis his interpreters.  Faiz’s poetry has been a great inspiration to visual artists, musicians, and fellow poets alike.  The eminent Pakistani painter-calligrapher Sadequain illustrated more than 45 of Faiz’s verses.  Faiz’s poems have been set to music and sung by renowned musicians throughout South Asia, and his poems have been translated into many different languages, including English, French, Spanish, Russian, and Czech.

As the world celebrates Faiz’s hundredth-year birth anniversary, we invite you to learn more about the poet and his work.  Included in our display is a circulating exhibit of materials from the collection available for checkout.  Browse the exhibit in the Regenstein Library 5th Floor Reading Room from November 20, 2011 to February 13, 2012.

Exhibition curator: Hajnalka Kovacs, Ph.D. Candidate, South Asian Languages and Civilizations, University of Chicago.

Exhibit address: The Joseph Regenstein Library, 5th Floor Reading Room, 1100 East 57th Street, Chicago, IL

Visitor hours:  See Regenstein Library ID and Privileges Office hours

 

Pulps!

Exhibit: Pulps!
Regenstein Library – 3rd Floor Reference Room
Through January 2, 2012

To discuss “pulps” is to discuss both format and genre. Named after the cheap wood pulp paper the magazines were printed on, pulps have come to symbolize a specific type of genre fiction. Indeed, many of the familiar genre conventions of mysteries, science fiction, horror, Westerns and even romance were developed on the pages of pulp magazines.

A Plane Crash-Landed In Uncharted Jungle... Five Men And Two Women Still Alive... What Will Happen to the Survivors (Gil Cohen, Men magazine illustration)

Pulps began appearing in the late 19th century. While dime novels had been popular since the American Civil War, they were still too expensive for most. But early pulp publishers like Frank Munsey combined cheap paper and printing with cheap, fast authors to create magazines that cost readers very little money. This allowed the working class to indulge in what had been an expensive hobby, and it was this kind of literary populism that molded what became known as “pulp fiction.”

Early on in their existence, pulps primarily featured Western and adventure stories. As the 1920s approached, detective stories, so-called “space operas,” and horror (and “weird fiction”) became extremely popular. The golden age of pulps lasted from 1920 until the outbreak of WWII. Due to paper shortages and the fact that much of their readership was being drafted, pulps began to lose popularity. By the late 1950s they were all but gone, replaced by smaller, glossier digest magazines and comics books.

Even as pulps disappeared, the genres they helped create have largely maintained popularity. Science fiction, horror and mystery stories still grip readers’ attention, while romance novels account for over half of all paperbacks sold. Without the sheer force of the pulp industry to meet reader demand, the world might never have known names like Dashiell Hammett, H.P. Lovecraft, Isaac Asimov, and Edgar Rice Burroughs.  

But for a few exceptions, pulp authors and stories remain largely forgotten. In many cases, due to the quality of the writing, this may be for the best. In contemporary popular culture, the idea of pulp fiction is better known than the stories themselves. Apart from Quentin Tarantino’s eponymous film (originally titled Black Mask, after a famous mystery pulp), it’s possible to see this sort of “pulp identity” in today’s popular fiction the in novels of authors A. Lee Martinez and Jonathan Lethem, and the comics of Mike Mignola. While the sun may have set on the age of pulps, their influence and importance has certainly not waned.

Curator: Andrew Rea

Exhibit address: The Joseph Regenstein Library, 3rd Floor Reference Room, 1100 East 57th Street, Chicago, IL

Visitor hours:  See Regenstein Library ID and Privileges Office hours.

Past, Present, Future: The Evolution of Medicine at the University of Chicago’s Hospitals

Past, Present, Future:  The Evolution of Medicine at the University of Chicago’s Hospitals

October 25, 2011-March 30, 2012

Description: A hospital and medical school at the University of Chicago were envisioned by the university founders.  That plan, initiated with a joint medical program with Rush Medical College, was followed by the development of the world-class University of Chicago Medical Center on campus.  This exhibit looks at the history and evolution of the medical school program, the hospital facilities and their technology, and medical partnerships with other Chicago area hospitals.

 

Curated by Mindy Schwartz, Associate Professor of Medicine at the Pritzker School of Medicine, University of Chicago

Location: The John Crerar Library, Atrium, 5730 South Ellis Avenue, Chicago

Public Hours: Monday – Saturday: 9 a.m. – 4:30 p.m.

Cost: Free

More information about Crerar’s exhibits program is available here.

Affectionately Yours, Rabindranath Tagore

Affectionately yours, Rabindranath TagoreExhibit: Affectionately Yours, Rabindranath Tagore
October 21 – December 31, 2011
Regenstein Library – 5th Floor Reading Room

The 150th birth anniversary of Rabindranath Tagore (1861-1941) is being celebrated with great fanfare around the world.  A renowned Bengali literary personality and Nobel Laureate, Tagore was many things: poet, painter, philosopher, novelist, thespian, essayist, and educator.   He wrote to great critical acclaim in both Bangla and English, and his works have been translated widely.  Tagore was the first Asian writer to receive the Nobel Prize for Literature (Gitanjali, 1913).   He also has the distinction of being the only person to have authored the national anthems of two countries: India and Bangladesh.

The breadth of sesquicentennial festivities – from scholarly conferences in China to special issue postage stamps in Argentina – is a testament to Tagore’s global appeal.  In this exhibition, we give particular attention to Tagore’s Chicago connections.  Tagore travelled to Chicago for the first time in 1913, where he delivered a lecture at the University of Chicago.  He forged some of his most cherished and lifelong friendships in this city – most significantly, with fellow poets Harriet Brainard Moody and Harriet Monroe.  Tagore’s writings were regularly published in the Chicago-based journal Poetry: the Magazine of Verses, edited by Monroe, and his works were reviewed in leading Chicago newspapers.

Affectionately Yours, Rabindranath Tagore is presented in association with the two-day University of Chicago conference The Many Worlds of Rabindranath Tagore (Franke Institute for the Humanities, October 27-28, 2011).  You can browse the exhibit in the Regenstein Library Fifth Floor Reading Room, October 21 – December 31, 2011.

Exhibition curator: Ranu Roychoudhuri, doctoral student in South Asian Languages and Civilizations, University of Chicago

Exhibit address: The Joseph Regenstein Library, 5th Floor Reading Room, 1100 East 57th Street, Chicago, IL

Visitor hours:  See Regenstein Library ID and Privileges Office hours.

The Graphics of Revolution and War: Iranian Poster Arts

Posters are a powerful medium to convey ideological messages and stir viewers to sympathy and action. Mass-produced and widely distributed, they reach a large audience with their striking design and dramatic, often blunt, messages.

"There is no god but God." ca. 1980

A newly launched Library Web exhibit, The Graphics of Revolution and War: Iranian Poster Arts, explores how posters were used for mobilization and communication during the Iranian Revolution of 1979 and the Iran-Iraq War (1980-88). This permanent online exhibit was collaboratively produced in conjunction with a loan exhibition of the University of Chicago’s posters on display at the Indiana University Art Museum from October 15 to December 18, 2011.  The exhibition was guest curated by Professor Christiane Gruber, University of Michigan, and her doctoral student Elizabeth Rauh. The website was produced and designed by Elisabeth M. Long, co-director of the University of Chicago’s Digital Library Development Center, and Brad Busenius, web and graphic design specialist.

The posters in the exhibition were selected from the Library’s Middle East Poster Collection. The Guide to the Middle Eastern Posters Collection 1970s-1990s includes links to digital images of all of the Iranian posters in the collection. The image above is from the Middle Eastern Posters Collection: Box 2, Poster 39.