2015 Platzman Memorial Fellowships awarded

The Robert L. Platzman Memorial Fellowships for 2015 have been awarded to 11 recipients.  Recipients will visit between June-October 2015.

Established by bequest of George W. Platzman (1920-2008), Professor in Geophysical Sciences, the research fellowships are named in memory of George’s brother Robert Platzman (1918-1973), Professor of Chemistry and Physics and member of the Metallurgical Laboratory at the University of Chicago during World War II.

The annual Platzman Fellowships provide funds for visiting researchers whose projects require on-site consultation of University of Chicago Library collections, primarily but not exclusively materials in Special Collections, with priority given to beginning scholars.  This year’s group of fellows brings the total number of scholars supported by the Platzman program since its inception in 2006 to eighty.

Feature Story A rare manuscript is rebound

Conservation and digitization of a New Testament manuscript collection support scholarship and teaching

Most book conservators never have the opportunity to reconstruct a 16th-century Byzantine binding from scratch.  For Ann Lindsey, Head of Conservation at the University of Chicago Library, that opportunity came in February, in connection with a major project to digitize all 68 New Testament manuscripts in the Edgar J. Goodspeed Manuscript Collection.

Ann Lindsey reconstructs a 16th-century Byzantine binding

Ann Lindsey reconstructs a 16th-century Byzantine binding with historically sympathetic materials in the Joe and Rika Mansueto Library’s Conservation Laboratory. (Photo by Robert Kozloff)

The role of the Conservation program at the Library is to maintain collections over time, ensuring that they can be used by current scholars and future generations.  Most of the manuscripts in the Goodspeed Collection, which date from the 5th to the 19th centuries, have required only minor treatments, if any, to be handled safely during the digitization process.

But the John Adam Service Book, one of the last eight items in the Goodspeed Manuscript Collection to be digitized, presented an unusual case where the disbinding and rebinding of a rare manuscript were merited.  Originally handwritten in Greek in the 15th to 16th century on paper produced in Italy, it was rebound in the 1850s, with a typical 19th-century cloth cover, and illustrated by its namesake, John Adam, near Epirus, Greece.  By the time it was acquired by the University of Chicago Library in 1930, its spine covering was missing.  When Lindsey examined the Service Book in anticipation of digitization, she found that any further handling of the manuscript would cause the exposed spine and 19th-century oversewing to damage the original 15th- to 16th-century pages. 

Lindsey conferred with her colleagues in Special Collections and Preservation, and the group concluded that the original manuscript would be best preserved, and scholars would be best served, if the book were disbound, digitized, and then rebound, using historically sympathetic materials so that researchers could consult it as needed and get a better sense of what the book was like when it was first bound and used in the 16th century.

A forensic investigation of the John Adam Service Book’s binding  

Sixteenth-century thread from the John Adam Service Book

Above: Ann Lindsey points to the threads that remain from the John Adam Service Book’s 16th-century binding (Photo by Robert Kozloff). Below: A photomicrograph of thread from the John Adam Service Book. By analyzing the thread under a microscope, Lindsey confirmed that it is linen.

A handful of linen threads are all that remain of the original binding—but they provided the evidence that Lindsey needed to determine that the book originally had a Byzantine binding, a rarity in American libraries. 

Most European books from the 15th and 16th century were bound in the Western style, sewn from start to finish on top of cords, with each stitch going through all of the pages of the book.  The threads are then secured in multiple places along the spine. If the folds of such pages were cut as part of a subsequent rebinding process and the spine were to be broken later, the threads would come out in many small pieces.

The folds of the John Adam Service Book were cut when the book was rebound in the 19th century.  But the threads Lindsey found upon examining the book are long, notched, and made of linen—all signs that this manuscript originally had a Byzantine binding.  When employing this method, bookbinders cut a notch in the back section of each page.  They sewed the first section of pages to a wooden board, the second section to the first section, the third section to the second, and so on, tucking the thread into notches and securing it with link stitches.  Because a Byzantine binding was used, when the folds were cut and the 19th-century binding was later broken, the thread emerged in long pieces. 

Once Lindsey identified the type of binding, she was able to infer much about the book’s construction. Byzantine bindings used quarter sawn hardwood front and back boards, had decorative grooves, and were covered in goat skin.  A new binding made of historically sympathetic materials should include all of those features. 

“It’s Ann’s remarkable expertise in seeing and interpreting evidence that we all respect so much,” said Daniel Meyer, Director of the Special Collections Research Center.  In addition to her master’s degree in Library Science, Lindsey has a certificate of advanced study in conservation from the University of Texas and conservation experience gained at the Huntington Library and the University of California, Berkeley, before she came to Chicago to lead the Library’s conservation efforts.  Her knowledge of how to rebuild a Byzantine binding came from a special class entirely devoted to the subject. 

Disbinding and rebinding

Lindsey uses link stitches to bind the second group of pages to the first group, which she previously sewed to a front board made of quarter sawn white oak. Quarter sawing positions the wood’s rings almost straight up and down so that the board does not curve over time. (Photo by Robert Kozloff)

Lindsey uses link stitches to bind the second group of pages to the first group, which she previously sewed to a front board made of quarter sawn white oak. Quarter sawing positions the wood’s rings almost straight up and down so that the board does not curve over time. (Photo by Robert Kozloff)

With a plan in place to create a new binding that would resemble the original one, Lindsey painstakingly humidified each folio slightly so that the 19th-century glue would soften and could be removed with a microspatula, along with the binding threads. Lindsey then gathered folios into sets of four, which she “guarded” with Japanese tissue and wheat starch paste at the edges to strengthen it in preparation for rebinding. The sets of pages were carefully delivered to the Digitization Laboratory, also in the Mansueto Library, where high-resolution images of each page were created by Photographer Michael Kenny and will be posted to the Goodspeed website. 

Once digitized and returned to the Conservation Laboratory, Lindsey sewed the boards and pages together in the Byzantine style, attaching half the pages to the front board and the other half to the back board, before lashing the two halves together, lining the spine with linen, and sewing a heavy end band across the two boards and the newly reconstructed spine.  As the final step, she used a dark brown goat skin to cover and hold the book together. 

Lindsey greatly enjoyed the woodworking and leatherworking that the project required, but the stitching of the binding is her favorite part.  “The sewing is the process where you start putting it back together,” she said. “It’s the heart of the book—and its literal backbone.  It’s what makes a book work well.”

Why digitize the full Goodspeed Collection?

Digitization of John Adam Service Book

Michael Kenny prepares to digitize a page of the John Adam Service Book. (Photo by Robert Kozloff)

The Goodspeed Manuscript Collection is the first collection of bound early manuscripts that the University of Chicago Library committed to digitize in its entirety—and that work is expected to be completed within the next year.  The Library’s Special Collections Research Center is digitizing materials from its archives, manuscripts, and rare book collections as funding permits in order to enhance access to scholars.   In choosing where to begin among the early manuscripts, Special Collections staff members were drawn to the Goodspeed Collection because of its focus and coherence. 

“The Goodspeed Collection was brought together for one principal purpose,” explained Meyer. “Edgar Goodspeed was working with other scholars on a new translation of the New Testament and gathered early manuscripts of the New Testament that could inform the translation.”

All the Goodspeed Manuscripts relate to the New Testament in some way. The John Adam Service Book is a trephologion, or festal menaion, a liturgical book that includes text for the great feasts that fall within the fixed cycle of services of the Orthodox Church, such as those for the Birth of the Virgin, The Great Martyr Demetrius, and the Birth of Jesus.

The Rockefeller McCormick New Testament, cove

The Rockefeller McCormick New Testament, cover, front (binding).

Edgar Goodspeed, DB 1897, PhD 1898, became Chairman of the Department of New Testament and Early Christian Literature in 1923 and soon after began seriously collecting New Testament manuscripts for the University of Chicago. Goodspeed regarded such manuscripts as essential to humanities research, just as laboratories are essential to the natural sciences, and expected them to be invaluable not only to his own work, but to the research of many at UChicago.

It seems safe to assume that if Goodspeed were alive today, he would jump at the opportunity to have the collection digitized, for he regularly sought ways to raise both scholarly and public awareness of the unique manuscripts at Chicago, and encouraged the publication of facsimile editions that would allow scholars to study the manuscripts from afar. His first major discovery, The Rockefeller McCormick New Testament, uncovered almost by chance in an art dealer’s shop in Paris in 1927, was an unparalleled historical and iconographical find, featuring a fine cursive hand, splendid gilt covers, and more than ninety miniature illustrations.  Only the second complete Byzantine New Testament manuscript to be brought to the U.S., it attracted sensational publicity in the press and on radio and was reproduced in a three-volume facsimile edition suitable for scholarly research by the University of Chicago Press in 1932. 

The attention generated by Goodspeed’s early collecting efforts helped to fuel interest in the acquisition of additional New Testament manuscripts and led to expanded faculty expertise in iconography and textual editing at Chicago. Many other acquisitions made possible by Goodspeed captured the imagination of scholars and the public, among them, the Elizabeth Day McCormick Apocalypse.  The only known illustrated Apocalypse in Greek at the time, it gained renown for its 69 remarkable miniatures dating to roughly 1600.  A facsimile edition was published by the University of Chicago Press in 1940. By the time he retired in 1948, Goodspeed had built one of the most impressive collections of New Testament manuscripts then held at any American university.  In recognition of his achievement, this collection of early Greek, Syriac, Ethiopic, Armenian, Arabic, and Latin New Testament manuscripts bears his name today.

Elizabeth Day McCormick Apocalypse

The Elizabeth Day McCormick Apocalypse, fol. 15r. John, Letter to Smyrna: Christ’s voice emanates from heaven, upper left; John stands at center, dictates to the deacon Prochorus who is writing, seated on bench at right.

The Goodspeed Collection continues to function as a treasure trove for scholarship and teaching, now fueled by the growing availability of the digitized facsimiles online. Current faculty who use the collection include Hans-Josef Klauck, Naomi Shenstone Donnelley Professor of New Testament and Early Christian Literature at the Divinity School, who has taught a course on Revelation and the Elizabeth Day McCormick Apocalypse using both the original manuscript and online digital facsimiles. “In my judgment, the digitization of the codex was an exciting experience and provided a great chance for better, more advanced and more exciting teaching in my very field,” Klauck concluded.  

Divinity School Dean Margaret M. Mitchell was a member of the original team that planned and obtained funding for the digitization project and has delved deeply into another item in the collection, the Archaic Mark—the first Goodspeed manuscript to be digitized. Resolving a 70-year debate, she collaborated with Library staff and technical experts in micro-chemical analysis and medieval bookmaking to definitively determine that this Gospel of Mark was not a genuine Byzantine manuscript but rather a fascinating late-19th- or early-20th-century forgery.  

The Library expects that more scholarly discoveries will be made, and additional students around the world will benefit as the remainder of the Collection is posted online.  Already, the Goodspeed Collection website has delivered an average of more than 38,000 pages per year to more than 2,800 users around the world, including 57 percent from North and South America, 30 percent from Europe, and 10 percent from Asia.

“When we began the Goodspeed Manuscript Collection project in 2005, the University of Chicago was among the first to propose digitizing entire manuscripts instead of selected pages,” explained Alice Schreyer, Associate University Librarian for Area Studies and Special Collections. “We received a National Leadership Grant from the Institute of Library and Museum Services for this innovative approach, which is now widely accepted. We are thrilled to be completing this important work, which will support many types of scholarship for decades to come.”

High-resolution images of 57 of the Goodspeed manuscripts are currently available online at goodspeed.lib.uchicago.edu.

RESCHEDULED: Wikipedia Edit-a-thon: University of Chicago Edition

editathon graphic

New date and time: April 15, 2015 at 4:00 p.m. in the Special Collections Research Center, Regenstein Library room 130.

On April 15, 2015 the University of Chicago Library will host a Wikipedia edit-a-thon in the Special Collections Research Center. The subject focus of the event is great women in University of Chicago history. Experienced Wikipedia editors and new users alike are welcome to participate. Librarians in Special Collections have chosen specific events, organizations, and people without existing Wikipedia articles to be created as part of this event.  As well as short articles that can be expanded upon. The list includes some notable names to be researched and added to Wikipedia: Georgiana Simpson, Gertrude Dudley, and Marlene Dixon. This is a great opportunity to learn how to edit Wikipedia but also learn about the role of women in shaping and sustaining the University. 

Those in attendance will be able to consult primary source material in special collections as well as print and electronic secondary sources to verify facts. Staff will be on site to offer help navigating online resources to help editors build new articles or enhance existing articles.

Wikipedia has a lot to offer and gain from working with the University Library. This event provides an opportunity to learn how articles are built and maintained and provide on-site access to databases and one-on-one assistance from reference librarians in navigating these sources. New users shouldn’t shy away from attending.

The event begins at 4:00 p.m. and ends at 8:00 p.m. Dinner will be provided. Come for all or part of the evening. Registration required, please RSVP by 4/12/15. Email: specialcollections@lib.uchicago.edu or sign up on Facebook

Participants are asked to bring their own laptop and power cord.

New to Wikipedia?

Create an account on Wikipedia, if you don’t have one already.  There are a lot of benefits for doing so, particularly with collaborative events like edit-a-thons.  

Once your account is made, try running through The Wikipedia Adventure, an automated tutorial that will help cover some of the basics of using Wikipedia.  It takes about an hour to complete, and it’s an excellent resource for getting started.    

Exhibits Closeted/Out in the Quadrangles: A History of LGBTQ Life at the University of Chicago

Weddstock Protest 1992

Photograph from Weddstock protest, 1992. Chicago Maroon. University of Chicago Photographic Archive, apf7-03580-001, Special Collections Research Center, The University of Chicago Library. Used with the permission of the Chicago Maroon.

Exhibition Dates: March 30 – June 12, 2015

Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL 60637

Description: From lesbian relationships in the early 1900s to the founding of Chicago Gay Liberation in 1970 to today, lesbian, gay, bisexual, transgender and queer/questioning individuals have long been part of the University of Chicago’s history. More than 95 oral histories gathered from LGBTQ alumni, faculty and staff join with archival and donated materials to tell those stories in this exhibition.

The oldest material in the exhibition documents relationships between the first generation of female faculty and graduate students at the University at the start of the 20th century. The exhibition also explores the consequences faced by male instructors caught in vice raids of the 1940s, the founding of Chicago Gay Liberation in 1970, the impact of AIDS on the University of Chicago community, anti-gay violence in the 1980s, and activism for partner benefits for same-sex couples and improvements to the campus climate for queer, transgender and gender non-conforming students. As the Chicago Maroon declared in 1980, “The University of Chicago may be gayer than you think.”

Gay Liberation Dance poster

Gay Liberation Dance poster, 1971. Used with permission of Charles Deering McCormick Library of Special Collections at Northwestern University.

Drawing on the rich holdings of the University of Chicago Library—including the papers of Marion Talbot and Ernest Burgess, administrative records, and a multitude of campus publications—and other major archives, the exhibition displays letters, academic papers, and student newspaper articles, as well as posters, ephemera, photographs, a square of the AIDS Memorial Quilt made by UChicago students, and other visual documentation tracing this complex history. The exhibition also introduces new materials and selections from oral histories collected by the Center for the Study of Gender and Sexuality from alumni such as James Hormel, JD’58, former dean of students of the Law School and the first openly gay U.S. ambassador; cultural anthropologist Esther Newton, AM’66, PhD’68, who wrote the first major anthropological study of a homosexual community in the U.S. while a graduate student at UChicago; and Deborah Gould, AM ’90, PhD ’00, activist, scholar, and author of the first book to analyze the emergence, development, and decline of the direct-action AIDS movement, ACT UP.

Hours: Monday through Friday, 9 a.m. to 4:45 p.m.; and Saturday, 9 a.m. to 12:45 p.m.

Price: Free and open to the public

Presented by the University of Chicago Library and the Center for the Study of Gender and Sexuality

Curator: Lauren Stokes, Ph.D. candidate, Department of History, The University of Chicago

Associated web exhibit (coming April 2015): lib.uchicago.edu/e/webexhibits

Facebook Event Page: Exhibit

The Closeted/Out in the Quadrangles Project

Homo t-shirt: "The University of Chicago is gayer than you think."

Ho-mo t-shirt. Donated by Scott Dennis. Closeted/Out in the Quadrangles. Collection. The University of Chicago Library.

Based on previous research into women’s history and experience at the University, students and faculty at the Center for the Study of Gender and Sexuality identified a pressing need to capture the history and experience of LGBTQ individuals and communities at the University of Chicago. In 2011, the CSGS launched the project Closeted/Out in the Quadrangles, documenting LGBTQ life at the University of Chicago from the early 20th century through the present day. During this time, students and staff working on the project have collected more than 95 oral histories, gathered donated materials from alumni, students and student groups, and mined the archives at the University of Chicago Library, Northwestern University, the Kinsey Institute, the Chicago History Museum, Gerber/Hart Library and Archives, and the University of Wisconsin-Madison for materials.

In addition to producing new scholarship, the Closeted/Out in the Quadrangles Project contributes to building community and expertise around the history of sexuality across disciplines by providing undergraduate and graduate students at the University space for research and intergenerational mentorship. The project has offered a yearly undergraduate course that has trained students in oral history and archival research methods and exploring LGBTQ history. The project also brings scholars of LGBTQ history working in universities and archives across the United States to campus for public lectures and student/faculty workshops.

Opening Gala

Chicago Pride Parade, 1991

Photograph from Chicago Pride Parade, 1991. Chicago Maroon, June 1991. University of Chicago Photographic Archive, apf7-03416-001, Special Collections Research Center, The University of Chicago Library. Used with permission of the Chicago Maroon.

Date: April 1
Time: 6-8 p.m.
Location:
Special Collections Research Center Exhibition Gallery, The University of Chicago Library, 1100 East 57th Street, Chicago, Illinois 60637
Facebook Event Page – Opening Gala

To RSVP

Celebrate the opening of the exhibition Closeted/Out in the Quadrangles: A History of LGBTQ Life at the University of Chicago. A reception and short program will mark the opening, and visitors will have the opportunity to meet researchers, oral history narrators and project organizers.  

Use of Images and Media Contact

Images from the exhibition included on this page are available for download by members of the media, and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.  For more information, contact Rachel Rosenberg at ra-rosenberg@uchicago.edu or 773-834-1519, or Susie Allen at sjallen1@uchicago.edu or 773-702-4009.

Upcoming Event: “More Than Lore: Women Founders of the University of Chicago”

 

hitchcock and rockefeller

You probably recognize some of the men in this photo, but can you identify the woman in the front row? Do you know her name or anything about her? Would you like to?

In celebration of Women’s History Month The University of Chicago Library invites you to a study break to learn more about the women who helped build and grow the University.

The event will take place on March 4th in Regenstein Library room 122.  The highlight of the afternoon will be a talk at 3 p.m. given by Daniel Meyer, University Archivist and Director of the Special Collections Research Center, on the women who greatly contributed to the establishment of the University of Chicago. Immediately following the talk everyone is welcome to visit the Special Collections Research Center to view selected original  documents and photographs highlighting women from the University Archives.

 

The event schedule:

Wednesday, March 4th, 2015

2:30 p.m. Doors open, room 122, Regenstein Library. Refreshments served, women’s history-themed giveaways

3:00-3:30 p.m. More Than Lore: Women Founders of UChicago, talk given by Daniel Meyer

3:30-4:30 p.m. Display open in the Special Collections Research Center, room 130, Regenstein Library

Plus, pick up one of our new University of Chicago Women trading cards.  Collect them all!

UChicago Women Trading Cards

Famous women of University of Chicago trading cards.

Visit SCRC Gallery During “Archives After Hours” February 12

eggan_girlThe Special Collections Research Center  will host an after-hours talk on Thursday evening, February 12, from 5:00-7:00 in the gallery.  The event will be led by curators for the  latest exhibit, “I Step Out of Myself”: Portrait Photography in Special Collections. Remarks begin at 5:30 and light refreshments will be served.

 “I Step Out of Myself”: Portrait Photography in Special Collections highlights outstanding examples of fine art and photojournalistic portraiture held in the Special Collections Research Center. Displaying selections rarely on public view, the exhibition draws from the work of a varied group of 20th-century photographers: Eva Watson-Schütuze, Carl Van Vechten, Layle Silbert, Mildred Mead, Yousuf Karsh, Alice Boughton, Joan Eggan, and Tina Modotti.

The Special Collections Research Center Gallery is located within the The University of Chicago Regenstein Library, 1100 East 57th Street,  on the first floor.

The Gallery is open Monday-Friday: 9:00 to 4:45 , and, when classes are in session, Saturdays 9:00  to 12:45. The Gallery is closed on Sundays.

New Library Director and University Librarian arrives on campus

Brenda Johnson

Brenda Johnson

Dear University of Chicago Faculty, Students and Staff,

As I begin my second week on campus, I would like to say how very happy I am to have arrived at the University of Chicago. The warm welcome I have received from so many of you in the last few days has made me feel immediately at home.

The University of Chicago’s status as one of the world’s premier academic and research institutions and its Library’s role in fueling intellectual inquiry and a transformative education are well known internationally. As the year unfolds, I look forward to learning much more about your work; about the ways you rely on the Library to support your research, teaching and study; and about the ways you see your needs evolving as you break new scholarly ground or advance in your education.

It will be my great pleasure to meet many more of you and to discuss these matters with you in the coming months.

With warm regards,

Brenda L. Johnson
Library Director and University Librarian
The University of Chicago Library

Exhibits Feature Story ‘I Step Out of Myself’: Portrait Photography in Special Collections

Julio Antonio Mella.  1928. Photograph by Tina Modotti (1896-1942). Frances Hooper Papers. Special Collections Research Center.  The University of Chicago Library.

Julio Antonio Mella, 1928. Photograph by Tina Modotti (1896-1942). Frances Hooper Papers. Special Collections Research Center. The University of Chicago Library.

Exhibition Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL
Dates: January 12 – March 20, 2015
Hours: Monday through Friday, 9 a.m. – 4:45 p.m; and Saturday, 9 a.m. to 12:45 p.m. while classes are in session.  Consult hours.lib.uchicago.edu for Special Collections Research Center hours.
Free and open to the public

Curators: Ashley Locke Gosselar, Laura Alagna, Brittan Nannenga, and Eileen Ielmini

Associated web exhibit: lib.uchicago.edu/e/webexhibits/istepoutofmyself/

“I Step Out of Myself”: Portrait Photography in Special Collections highlights outstanding examples of fine art and photojournalistic portraiture held in the Special Collections Research Center. Displaying selections rarely on public view, the exhibition will draw from the work of a varied group of 20th-century photographers: Eva Watson Schütze, Carl Van Vechten, Layle Silbert, Mildred Mead, Yousuf Karsh, Alice Boughton, Joan Eggan, and Tina Modotti. From the romance of Schütze’s portraits of domestic life at the turn of the 20th century, to the stylized glamour of Van Vechten’s celebrity photographs in the 1930s, to the unflinching presentation of raw poverty in Mildred Mead’s portraits of residents of Chicago slums in the 1950s, “I Step Out of Myself” explores the wide range of technique, style, subject matter, and emotion found in modern photographic portraiture.

Use of Images and Media Contact

Images from the exhibition included on this page are available for members of the media, and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.  Contact Rachel Rosenberg at ra-rosenberg@uchicago.edu or 773-834-1519.

SCRC Closed on January 1, 2015

winterbartlett1948-295x300

 

The Special Collections Research Center will be closed on Thursday, January 1, 2015 in observance of New Year’s Day. We will reopen and resume regular business hours on Friday, January 2, 2015. To submit a reference question online please use our webform found here:  http://www.lib.uchicago.edu/e/ask/SCRC.html

 

 

 

SCRC Closures in December

Bartlett Hall Winter 1948

Bartlett Hall Winter 1948

The Special Collections Research Center will be closed December 24-25, 2014, and will be open 9:00am-12:45pm on December 26. We will not be able to retrieve items on December 26; all requests for items to be used that day must be submitted no later than noon on December 23. For more information on our hours or for information on requesting items please see our web pages.

Special Collections Closed November 27-30

The Special Collections Research Center will be closed November 27-30 in observation of the Thanksgiving holiday. We will resume our normal hours on December 1.

Robert L. Platzman Memorial Fellowship applications now open for 2015

Applications are now being accepted for the Summer 2015 Robert L. Platzman Memorial Fellowship program. Any visiting researcher, writer, or artist residing more than 100 miles from Chicago, and whose project requires on-site consultation of University of Chicago Library collections, primarily archives, manuscripts, rare books, or other materials in the Special Collections Research Center, is eligible.  The deadline is February 16, 2015.  For more information on the program, and directions outlining how to apply, please see our Fellowship website. Applicants may also wish to view the list of past recipients from 2014 and their projects.

Enabling worldwide discovery of rare books: A gift from Roger and Julie Baskes

Enhancing online catalog records for rare books is a high priority for the University of Chicago Library in the University’s capital campaign. Detailed cataloging is an essential tool for researchers to discover handwritten annotations, special bindings or illustrations, and other features of individual copies of rare books. The Library has long recognized the scholarly value of this work, but without additional funding the project could take as long as 20 years to complete.

Julie and Roger Baskes

Julie and Roger Baskes

Prominent Chicago cultural philanthropists Roger and Julie Baskes stepped forward this spring as the right donors for this endeavor. In his seven years on the Library’s Visiting Committee, Mr. Baskes said, he was impressed by “the Library’s extraordinary commitment to keeping its collections physically and instantly accessible, at the very center of the campus” through the construction of the Mansueto Library. An avid and knowledgeable book collector, Mr. Baskes has also nurtured a long affiliation with Chicago’s Newberry Library, serving as a trustee and previously as chairman of the board. Over the last 30 years, he has cultivated a one-of-a-kind personal collection of rare and historical books with maps.

In doing so, Mr. Baskes explained, “I became aware of the extraordinary collections of rare books at the world’s great research libraries, especially as the catalogs of these libraries began to be accessible online, and discovered that the University of Chicago Library is one of the world’s most important repositories of rare books. Julie and I also understand that however rare, beautiful, or extensive such materials may be, their value to scholars is entirely dependent upon their accessibility.”

Baskes Bookplate

The electronic bookplate for gifts from the Roger Baskes Collection.

With that in mind, Mr. and Mrs. Baskes made a $250,000 commitment to support the cataloging project. “Twenty-first century readers and students of rare books and manuscripts, whether part of the University of Chicago community or from other parts of the world, will come to the Library after they have learned from its online catalog that there exist materials important to their research,” Mr. Baskes said. “We believe that little would add to the value of the Library’s remarkable Special Collections more than the enhancement and editing of its catalog, and we are honored to support it.”

Along with their monetary support, Mr. and Mrs. Baskes are also donating rare and historical books with maps that they have collected. So far the Library has received approximately 100 titles ranging from the 18th century to the late 20th. In addition to American, English, and French books with maps, the gifts include books in Japanese, Armenian, and Ottoman Turkish. When they are cataloged, the associated online records will bear a custom electronic bookplate (pictured) and will be readily retrievable by searching the catalog for the donor name.

“We have long understood the importance of improving access to our rare book collections by providing more detailed and accurate catalog records,” said Alice Schreyer, Interim Library Director and Associate University Librarian for Area Studies and Special Collections. “Roger and Julie’s gift will make the unique features of our collections known to a wide range of scholars who would otherwise not discover them.”

In recognition of their gift, a group study space in the Special Collections Research Center will be named the “Julie and Roger Baskes Group Study.” Students, faculty, and visiting scholars use this room to work collaboratively with rare and historical materials.

#AskAnArchivist Day is October 30

 

Curious about what goes on behind the scenes in the Special Collections Research Center? (“Is it really like the movie National Treasure?”) Burning with questions about campus history? (“When was my dormitory built?”) Wondering what to do with your digital files? (“How should I store the photos on my phone so that I have access to them later on?”)

On October 30, staff in the Special Collections Research Center will join archivists and special collections librarians from across the country on Twitter to answer your questions about any and all things archives! This day-long event, sponsored by the Society of American Archivists, will give you the opportunity to ask questions about archives and archival work.

To ask us a specific question use #AskAnArchivist and tag us @UChicagoSCRC.

 

Here’s the lineup:

10 am: Ashley Locke – Processing Archivist and Christine Colburn – Manager in public services and collections

11 am: Leah Richardson – Special Collections Reference Librarian and Laura Alagna -Digital Archivist

12 pm: Catherine Uecker – Rare Books Librarian and Laura Alagna – Digital Archivist

1 pm: Ashley Locke – Processing Archivist and Joe Scott – Exhibits Designer

2 pm: Leah Richardson – Special Collections Reference Librarian and Brittan Nannenga – Accessions Archivist

3 pm: Julia Gardner – Head of Reader Services and Christine Colburn – Manager in public services and collections

Don’t have a question right away? Search Twitter for #AskAnArchivist and follow along as questions and answers are shared! Follow the Special Collections Research Center on Twitter: https://twitter.com/UChicagoSCRC 

Feature Story Brenda Johnson named Library Director and University Librarian

Brenda L. Johnson, an internationally respected leader in the field of library science, has been appointed Library Director and University Librarian, Provost Eric Isaacs announced Oct. 16. Her five-year term begins Jan. 1, 2015.

“The Library plays a key role in the life of faculty and students at the University of Chicago,” Isaacs said. “Brenda’s expertise in supporting both physical collections and the proliferation of digital resources, along with her history of collaboration and innovative thinking, make her an outstanding leader for this important enterprise.”

Brenda Johnson

Brenda Johnson

Johnson currently serves as Ruth Lilly Dean of University Libraries at Indiana University, Bloomington—a position she has held since 2010. She succeeds Judith Nadler, who retired in June after nearly five decades of service to UChicago.

Before coming to Indiana University, Johnson was University Librarian at the University of California, Santa Barbara. She spent more than 20 years at the University of Michigan, where she served as Associate University Librarian for Public Services, a position with responsibility over that institution’s 19 libraries.

She is active in the national and international library community through service and leadership on a variety of executive boards and committees, such as the board of governors of HathiTrust, the board of directors of CLOCKSS (a digital repository for web-based scholarly publications), the Committee on Institutional Cooperation Library Directors Group, the board of directors of Kuali OLE (Open Library Environment), and the Association of Research Libraries’ Scholarly Communications Steering Committee.

Johnson has become a nationally and internationally recognized voice on topics such as the rapid pace of change in information discovery and dissemination, the development of multi-institution “collective collections,” and research and learning environments, as well as the need for library transformation that fosters scholarly engagement and support. Her recent international speaking engagements have taken her to London, Shanghai, Kyushu and Yokohama, Japan.

“The University of Chicago Library is a unique and influential institution among academic libraries,” Johnson said. “I am truly honored by the opportunity to lead it through a time of transformation for all libraries, and eager to collaborate with faculty, students and staff to ensure its vitality in the years to come.”

Diane Lauderdale, professor of Health Studies, is chair of the Library’s faculty board and chaired the search committee that recommended Johnson for the position of Library Director.

“Brenda Johnson is an experienced library director and well-respected leader in the international academic library community,” Lauderdale said. “She will bring to the University of Chicago a deep understanding of collections, public and technical services and new technologies. We have an outstanding collection and staff here, but like all university libraries, face challenging decisions in the next few years about our physical and digital collections. The search committee felt confident that Brenda had the experience, insight and vision to lead our library to an even higher level of excellence.”

At a time of change for libraries nationwide, the University of Chicago Library has flourished as a center of intellectual inquiry recognized throughout academia and a dynamic learning environment for UChicago students. With its 11.9 million volumes, noted collections in a broad range of fields, including global resources and commitment to keeping its collection on campus, the Library has become a destination for scholars and a model for other institutions worldwide.  

The Joseph Regenstein Library and the adjoining Joe and Rika Mansueto Library are located in the heart of the Hyde Park campus—a testament to the Library’s continued importance to scholarly and campus life at the University, Isaacs said.

The Mansueto Library is the most recent addition to the library system. Mansueto houses cutting-edge facilities for book preservation and digitization, as well as a high-density underground storage system with the capacity to hold 3.5 million volume equivalents. The library was designed to fulfill scholars’ needs for easy access to print resources at a time when many other research universities are moving their collections to off-site storage.

The library is named in honor of Joe Mansueto, AB’78, MBA’80, and Rika Yoshida, AB’91, who gave a $25 million gift to the University in 2008. Architect Helmut Jahn designed the facility’s iconic glass dome, which encloses a light-filled reading room and an underground storage system that descends 50 feet below ground.

Alice Schreyer, Associate University Librarian for Area Studies and Special Collections, has been leading the Library on an interim basis since Nadler’s retirement. She will continue in that role until Johnson’s arrival.

A University of Chicago news release

Special Collections Closing Early October 14

The Special Collections Research Center will close early, at 3:00pm, on Tuesday, October 14, for a special event. We will resume our normal hours Wednesday, October 15.  We regret any inconvenience caused.

SCRC Opens at 10:30 on Friday, September 12

The Special Collections Research Center will open at 10:30 Friday morning, September 12.  We will return to our usual opening time of 9:00am on Monday, September 15, and regret any inconvenience caused.

Robert Maynard Hutchins Papers available for research

A youthful Robert M. Hutchins in 1929

A youthful Robert M. Hutchins in 1929

The Robert Maynard Hutchins Papers are now available for research.

This collection is distinct from the Office of the President, Hutchins Administration Records, and includes material pertaining to Hutchins’ research, writing, and speaking; material relevant to his professional activities; correspondence; subject files; personal ephemera; honors and awards; annotated books; and photographs and audio recordings. The  bulk of the material dates between 1921 and 1977.

The correspondence series represents the largest portion of the collection. Hutchins corresponded with an impressive number of 20th-century luminaries including Saul Alinsky, Steve Allen, Pearl S. Buck, Albert Einstein, T. S. Eliot, Hubert Humphrey, Oscar Hammerstein II, Aldous and Laura Huxley, Charles and Anne Lindbergh, Benjamin E. Mays, Thurgood Marshall, Edward R. Murrow, Paul Newman, the Rockefeller family, Earl Warren, Frank Lloyd Wright, William O. Douglas, Adlai Stevenson, Thornton Wilder, and many more.

Exhibits En Guerre: French Illustrators and World War I

Exhibition Location: Special Collections Research Center Exhibition Gallery, 1100 East 57th Street, Chicago, IL
Dates: October 14, 2014 – January 2, 2015
Hours: Monday through Friday, 9 a.m. to 4:45 p.m; and Saturday, 9 a.m. to 12:45 p.m. while classes are in session.  Consult hours.lib.uchicago.edu for Special Collections Research Center holiday hours.
Price: Free and open to the public

Curators: Professor Neil Harris and Dr. Teri J. Edelstein

Associated Web Exhibit: lib.uchicago.edu/e/webexhibits/enguerre

André Hellé, Alphabet de la Grande Guerre 1914–1916

André Hellé. “Batterie/Charge.” Alphabet de la Grande Guerre 1914–1916. Paris: Berger-Levrault, [1916]. On loan from a private collection.

Description: On the centenary of the Great War’s commencement, En Guerre: French Illustrators and World War I explores the conflict through French graphic illustration of the period. The exhibition presents themes essential to a deeper understanding of the war in France: patriotism, propaganda, the soldier’s experience, as well as the mobilization of the home front as seen through fashion, humor, and children’s literature.

Like no other conflict before it, the Great War was a war of images.  Its scale, duration, and intensity were brought home to the public by media and technologies that, in some cases, were well established, but in others seemed novel and even startling.  Films, photographs, lithographic posters, illustrated books, prints, postcards, many in huge quantities, were part of an international propaganda effort that had few parallels before or since.  It offered special opportunities to artists with established reputations and rich possibilities for those just beginning their careers.

French artists, young and old, responded to patriotic appeals with ardor.  Many served at the front, were wounded, taken prisoner, or died as a result of battle.  The totalizing impact of World War I meant, however, that civilian loyalty had to be nurtured continuously during the conflict, and dramatic appeals made to every segment of society.  The identification and cultivation of specialized markets for illustrated books, magazines, and print portfolios—the subjects of this exhibition—encouraged artists and publishers to develop wartime projects of some consequence. Purchasers displayed their loyalty to the cause by buying and, in some cases, displaying the art.

Bonfils, "Sur Mer"

Robert Bonfils. “Sur mer.” La manière française. Paris: Librairie Lutetia, [1916]. On loan from a private collection.

Odette Champion, “Modes de printemps: Berlin-Vienne-Constantinople.”

Odette Champion, “Modes de printemps: Berlin-Vienne-Constantinople.” Fantasio. Paris: Félix Juven, [1915]. Gift of Neil Harris and Teri J. Edelstein, The University of Chicago Library.

En Guerre concentrates upon a group of illustrators who became intimately involved with wartime themes. Building upon market transformations and economies of scale, they proceeded in many cases to recast their own art, and prepare the way for the new schools of illustration that would develop in the 1920s and 30s. These in turn carried the French illustrated book to new heights. Three points of origin merit special attention. First is the burgeoning world of illustrated magazines, often polemical, satiric, and sexually graphic in their comprehensive coverage. Some, like La vie parisienne (1863), had been founded many decades earlier, but others, like Le rire (1895), L’assiette au beurre (1900), and Fantasio (1906), were of more recent vintage. The war itself would generate still more journals of this kind, notably La baïonnette (1915). 

This flowering of illustrated journalism served as nursery, laboratory, and gymnasium for a whole generation of illustrators and caricaturists–Andre Hellé, Jacques Touchet, Joseph Hemard, Gus Bofa, Gerda Wegener, Georges Delaw, among many others. Simultaneously acerbic, mordant, irreverent, sentimental, cynical, the magazine illustrators were well suited to the task of wartime commentary. Some of them would inspire the work of comic strip artists in later decades, and many would be active creators of limited edition French illustrated books in the the future.

Schaller, En Guerre

Charlotte Schaller. En guerre! Paris: Berger-Levrault, [1914]. On loan from a private collection.

The second spawning ground for wartime visual culture was the French fashion industry. Two notable portfolios, Les robes de Paul Poiret (1908) by Paul Iribe, and Les choses de Paul Poiret (1911) by Georges Lepape, have become seminal moments in the development of Art Deco graphics. Preceded by a host of fashion-oriented magazines and portfolios, they were followed shortly by new illustrated journals and portfolios, which did much to reestablish French primacy in the world of grande luxe, facing as it did some newly aggressive competition from Germany and Austria-Hungary. Lucien Vogel’s creation of Gazette du bon ton in 1912 was probably the most notable of these, alongside Modes et manières d’aujourd’hui, also appearing the same year. These exquisitely printed, limited edition productions featured the pochoir designs of Georges Lepape, Charles Martin, A. E. Marty, George Barbier, Robert Bonfils, Guy Arnoux, and many other artists who would become active producers of wartime illustration and notable creators of postwar illustrated books. The mobilization of high-style illustrators on behalf of the national effort constitutes one of the more dramatic episodes in the history of French fashion design, and the exhibition will highlight ways in which costume, dress, and the “high life” were exploited in the interests of distinguishing French taste from that of the enemy. La baïonnette, Fantasio, and other periodicals were filled with their work.

Lefevre, Sur le pont

Louis Lefèvre. “Sur le pont.” Rondes glorieuses. [S.l.: s.n., n.d.]. 1ière série. On loan from a private collection.

The third arena, which En Guerre will examine in some detail, involves the French children’s book. Here there was a long and rich history to draw on, especially in the 19th century: Gustave Doré, Job, and Boutet de Monvel, were prominent. World War I saw some extraordinary productions, meant to inform, proselytize, and instruct children about the great conflict. Scholars in France and the United States have recently been examining this literature. Its size and variety are impressive. In some ways the wartime harvest appears eclectic. Established artists like Hansi and Joseph Pinchon (creator of Becassine) coexisted with newcomers like Charlotte Schaller, André Hellé, Henrietta Damart, and Val-Rau. Some would go on to considerable fame, while others languish in obscurity. What is most arresting here is the mobilization of children in this total war, using books (and toys) to involve them in the military effort, stimulate their patriotism, and socialize them to the loss of family and loved ones.

While these three areas will receive special attention, the exhibition will also note the work of artist-illustrators like Raoul Dufy, J. E. Laboureur, Fernand Léger, and André Lhote. Many of them served at the front and presented the story of the poilu, the French soldier, or focused on the dress and behavior of allied soldiers–American and British particularly. Their creations highlight the contribution of artists to the war effort.

Organized by Professor Neil Harris and Dr. Teri J. Edelstein for the Special Collections Research Center of the University of Chicago Library, the exhibition features more than one hundred and thirty examples of the colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in servicing or challenging political and military power.

Commemoration of the centenary of the Great WarThis exhibition has received the designation of the commemoration of the centenary of the Great War.

Harris & Edelstein, En Guerre

Neil Harris and Teri J. Edelstein, En Guerre: French Illustrators and World War I, Chicago: The University of Chicago Library, 2014.

 

Associated Catalogue

Neil Harris and Teri J. Edelstein, En Guerre: French Illustrators and World War I.   The University of Chicago Library.  156 pp. with more than 100 full color illustrations. Distributed by The University of Chicago Press.

Logos of the Insitut Francais and French Embassy in the United StatesSupport for this publication was provided by the Smart Family Foundation, Inc.; the University of Chicago Library Society; the France Chicago Center of the University of Chicago; the Gladys Krieble Delmas Foundation; Martha Fleischman; the Institut Français in Paris and the Cultural Service at the Consulate of France in Chicago; and an anonymous donor.

About the Curators

Neil Harris is the Preston and Sterling Morton Professor of History and Art History Emeritus at the University of Chicago. He is the author of many books, including, most recently, Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience, published by the University of Chicago Press. Teri J. Edelstein is an art historian and museum professional. Her scholarly work has focused on the intersection of high art and popular culture. Most recently, she was editor of and contributor to Art for All: British Posters for Transport, Yale University Press. Together, they have written The Chicagoan: A Lost Magazine of the Jazz Age, published by The University of Chicago Press.

Use of Images and Media Contacts

Images from the exhibition included on this page are available for members of the media, and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news. 

Download high-resolution images. (This will take several minutes.)

For more information, contact Rachel Rosenberg at ra-rosenberg@uchicago.edu or 773-834-1519, or Susie Allen at sjallen1@uchicago.edu or 773-702-4009.

Exhibits Feature Story Scholarship as a living process

Exhibition shows UChicago researchers in mid-thought in Mexico

Researching Mexico: University of Chicago Field Explorations in Mexico, 1896-2014 is on display in the Special Collections Research Center Exhibition Gallery through October 4, 2014. An associated web exhibit is available online. Co-curator Seonaid Valiant, UChicago History Ph.D. Candidate 2014, explains how her dissertation research and other academic experiences influenced her approach to creating the exhibition.

Has field work in Mexico been particularly important to University of Chicago faculty? Why focus a Special Collections exhibition on this subject?

The relationship between the University of Chicago and Mexico has always been incredibly significant—particularly for the social sciences—but that relationship isn’t as well known as it could be. For more than a hundred years, University of Chicago professors across many disciplines have developed important, ongoing working relationships with the people, academic institutions, and government of Mexico. As a result, the Special Collections Research Center has developed collections of fascinating documents and artifacts that have been donated by professors over the years.

Howard Taylor Ricketts, Mexico City, 1910

Howard Taylor Ricketts, Mexico City, 1910

For many scholars, Mexico afforded opportunities and adventures—particularly for researchers in the field—that were unavailable elsewhere. Telling the personal stories of these researchers and scholars highlights how passionate, interesting, and dramatic the life of the mind can be. Howard Taylor Ricketts’s tragic story, for example, demonstrates how this work can be both crucially important and dangerous. Invited by the Mexican government in 1909 to research the cause of a typhus outbreak in Mexico City, Ricketts worked with Mexican doctors, nurses, and government officials to confirm the source of the problem. He succeeded, but not before he contracted a fatal case of typhus. We included the funeral ribbon placed on his coffin by the Mexican government to show how his sacrifice was recognized.

Were some of the faculty members featured in the exhibition important to your development as a graduate student?

Curating this exhibition was a way of connecting my own work back to that of my predecessors and highlighting the tradition of Mexican scholarship at the University. For example, Friedrich Katz, whose papers are part of the exhibition, was my mentor when I first entered the History Ph.D. program at the University of Chicago. When I knew him, near the end of his life, he was a world-renowned and well-respected scholar of the Mexican revolution, but as I sorted through the unprocessed boxes that contained his papers, I was fascinated to discover correspondence detailing his struggle, as an ambitious academic, to leave East Germany. He finally found a home at the University of Chicago, where he could pursue scholarship without the threat of anti-Semitism and censorship. After the publication of his biography of Pancho Villa in 1998, Katz was named an honorary citizen of the state of Chihuahua and awarded the Order of the Aztec Eagle by the Mexican government.

How is the exhibition connected to your dissertation research?

In my research, which is focused on foreign archaeologists battling with Mexican government officials at the turn of the 20th century, I explore how scholastic ideas develop and travel among scholars informally before transitioning to more formal discourse and then finally to publication. I trace these ideas through the discussions, friendships, and rivalries that scholars have had with each other and with government officials. That has made me particularly attuned to the idea of scholarship as a dynamic process, inflected by personal relationships and private lives, and academic discourse as something that has to be actively constructed.

Redfield family

Redfield family in Mexico, 1929

In keeping with this interest, many of the items selected for this show represent the research process rather than final publications. One of the goals of the exhibition is to give the public a glimpse of scholarship in action and to present it as a living process. The papers and artifacts created by these professors during the course of their field work give us access to their reflections and preparations in various phases of their work. In the exhibition, we’ve aimed to capture these thinkers in mid-thought, before their final conclusions have been drawn, and to present their intellectual achievements as emerging from a process of engagement with the raw materials of their research. Research notes, correspondence, and diaries give a more intimate, nuanced portrayal of each scholar’s development and place their intellectual work in a fuller context.

For example, the letters from the anthropologist Robert Redfield to his wife, Margaret Park Redfield, interweave thoughts about his work in Chichen Itza in 1932 with family concerns and show how important his wife’s role as confidant and sounding board was as he began to develop his scholastic plans in an informal way.

How did you come to co-curate the exhibition, and what made you interested in doing so?

I was delighted when Kathleen Feeney, Head of Archives Processing and Digital Access in Special Collections, invited me to co-curate the exhibition with her. Kathleen knew that I was already familiar with many of the relevant collections, both because of the research I had conducted for my dissertation and because of the work I had done there as a graduate student archives processing assistant in Special Collections. One of the things that drew me to study history was the excitement of working directly with documents and artifacts in archives. Curating this exhibition with Kathleen, I knew, would give me a chance to share some of my favorite items and the stories that went with them, as well as my passion for the materials and the mission of Special Collections.

Which are your favorites?

The Frederick Starr notebooks, the corridos in the Robert Redfield papers and the lantern slides in the Adolf Carl Noé papers. These, along with the diaries, linguistic note cards, letters, and portraits in some of the other collections, tell a larger story about the freedom of investigation that University of Chicago scholars have consistently found in Mexico.

Chiapas animals and index card

Toy animals used to identify indigenous words, circa 1950s

Did you make any new discoveries as you curated the exhibition?

Curating Researching Mexico brought home for me how important it is for today’s scholars to be able to work directly with archives and original artifacts associated with their predecessors. Many of the most interesting items on display were only discovered in the process of preparing for the exhibit, by methodically investigating the Special Collections holdings.

For example, we were surprised to uncover the collection of toy animals that now forms one of the exhibition’s most unusual displays. In their field work, the linguists in the Chiapas Project asked native indigenous language speakers to identify these toy animals in their own languages. Finding the animals and the lists of translations not only delighted us but helped us to understand the process that the researchers used to collect words one at a time, finally gathering enough materials for textbooks in Tzeltal, Yucatec, and Quiche.

In bringing unseen materials like these to the public eye, we want to hint at the unexpected connections and discoveries that can be made through archival research and encourage students and scholars to examine primary sources in archives for themselves. Finding these little-known stories can be a thrilling experience, and preserving and sharing them with other scholars, academics, students, and the public is an important part of the work of the University.

Requesting SCRC Items During Catalog Transition

The University of Chicago Library will be implementing a new catalog beginning August 1 through mid August. Although we do not anticipate disruptions to service in Special Collections, we may experience delays in requesting or retrieving materials during the transition period. If you plan to visit Special Collections during this period, please contact us as soon as possible to discuss your visit.

Special Collections Closed July 4-5

fireworksThe Special Collections Research Center will be closed Friday, July 4, and Saturday, July 5, in observation of the Independence Day holiday.  We will resume our normal hours on Monday, July 7. 

Exhibits Researching Mexico: University of Chicago Field Explorations in Mexico, 1896-2014

Exhibition Location: Special Collections Research Center, 1100 East 57th Street, Chicago, IL
Exhibition Dates: June 30, 2014 – October 4, 2014
Associated Web Exhibit: lib.uchicago.edu/e/webexhibits/researchingmexico

Brent Berlin with informant

Brent Berlin with informant, photograph, undated. Norman McQuown. Papers. Special Collections Research Center, The University of Chicago Library.

University of Chicago scholars have traveled to Mexico since the late 19th century, pursuing research subjects ranging from archival investigation of revolutionary leaders, to documentation of indigenous communities and languages, to the search for the cause of a deadly strain of typhus.

Drawn from the holdings of the Special Collections Research Center, including the papers of Friedrich Katz, Robert Redfield, Norman McQuown, Manning Nash, Howard T. Ricketts, Sol Tax, Frederick Starr, and others, this exhibit presents correspondence, diaries, photographs, sketches, recordings and objects generated and collected by these scholars in the field, as well as holdings from the Rare Books and Manuscripts collections that continue to support study of Mexican history and culture.

Presented in conjunction with the University of Chicago’s Katz Center for Mexican Studies, this exhibition will mark the meeting in Chicago of the XIV Reunión Internacional de Historiadores de México from September 18-21, 2014.

Curators: Seonaid Valiant and Kathleen Feeney

Exhibition Hours: Monday-Friday, 9:00 a.m.-4:45 p.m.; Saturdays: 9:00 a.m.-12:45 p.m. when University of Chicago classes are in session.

 

 

Investigando México: Estudios de Campo en México realizados por la Universidad de Chicago, 1896-2014

Corrido broadsheet

Corridos, broadsheets collected in Mexico, circa 1920s. Robert Redfield. Papers. Special Collections Research Center, The University of Chicago Library.

Galería de Exhibición, Centro de Investigación de Colecciones Especiales
Junio 30, 2014-Octubre 4, 2014

Docentes de la Universidad de Chicago han viajado a México desde finales del siglo XIX, buscando temas de investigación que involucran desde los archivos de líderes revolucionarios, documentación sobre comunidades y lenguas indígenas, hasta el origen de una cepa mortal de tifo. Derivada del material reservado en el Centro de Investigación de Colecciones Especiales, incluyendo documentos de Friedrich Katz, Robert Redfield, Norman McQuown, Manning Nash, Howard T. Ricketts, Sol Tax, Frederick Starr, entre otros, esta exhibición expone correspondencia, diarios, fotografías, apuntes, grabaciones y objetos generados y reunidos por estos académicos en su campo de estudio, así como también material proveniente de la colección de Libros y Manuscritos Especializados, mismos que continúan apoyando el estudio de la historia y cultura mexicana.   

Esta exhibición, presentada conjuntamente con el Centro Katz de Estudios Mexicanos de la Universidad de Chicago, marcará el inicio en Chicago de la XIV Reunión Internacional de Historiadores de México, que se llevará a cabo del 18 al 21 de septiembre de 2014.

Curadores: Seonaid Valiant and Kathleen Feeney

Exposición abierta: Lunes-Viernes, 9:00 a.m.-4:45 p.m.; Sabado: 9:00 a.m.-12:45 p.m. cuando las clases de la University of Chicago están en session

Use of Images

Images from the exhibition included on this page are available for members of the media, and are reserved for editorial use in connection with University of Chicago Library exhibitions, programs, or related news.  Email Rachel Rosenberg (phone: 773-834-1519) or Joseph Scott (phone: 773-702-6655)  to request high-resolution images.

Para información o preguntas en español, dirijase al Centro Katz al: 773-834-1987 o mexicanstudies@uchicago.edu.

Pottery, Circa 1900. Frederick Starr. Papers.

Pottery, photograph, circa 1900. Frederick Starr. Papers. Special Collections Research Center, The University of Chicago Library.

doctors and nurses in Typhus Ward

Doctors and nurses in Typhus Ward, Hospital Generale, Mexico City, photograph, circa 1910. Howard Taylor Ricketts. Papers. Special Collections Research Center, The University of Chicago Library.

Redfield family in Mexico

Redfield family in Mexico, photograph, August 1929. Robert Redfield. Papers. Special Collections Research Center, The University of Chicago Library.

Chart from Totanac Literacy Project

Chart from Totonac Literacy Project, circa 1939. Norman McQuown. Papers. Special Collections Research Center, The University of Chicago Library.

The Life and Times of Pancho Villa cover

Friedrich Katz, “The Life and Times of Pancho Villa.” Stanford University Press: Stanford. 1998.

Peñafiel facade

Antonio Peñafiel (1830-1922),
“Monumentos del Art Mexicana Antiguo…”
Berlin: A. Asher & Co. 1890. Rare Book Collection. Special Collections Research Center, The University of Chicago Library.

Committee to Frame a World Constitution Records Re-housed

Committee to Frame a World Constitution PosterContinuing our collections news, one of our more frequently used collections, The Committee to Frame a World Constitution Records, has been re-housed into new, more usable containers.  This collection, which documents efforts to formulate a world constitution in the post-War era, includes correspondence, administrative and financial records, manuscripts submitted to Common Cause, and drafts of the World Constitution itself.  Robert Hutchins, Mortimer Adler, Robert Redfield, Richard McKeon, and other University of Chicago faculty and administrators were involved in the effort. The re-housed records also incorporate additional materials not included in the original finding aid.

Stephen A. Douglas Papers available for research

Stephen A. Douglas

Stephen A. Douglas

The Stephen A. Douglas Papers are once again available for research.   The collection has been reprocessed to incorporate additional materials. Most of these additions were to Series II: Political, Series III: Personal, and Series IV: Oversize. There are also new Lincoln items within the collection.